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De La Soul song in ‘Spider-Man: No Way Home’ blows, but fans can’t find it

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After featuring prominently on ‘Spider-Man: No Way Home’, De La Soul’s ‘The Magic Number’ has fans scrambling for a better listen. But why isn’t it available on streaming services?

By Justina Terhember

Iconic hip-hop group De La Soul landed a major spot for their 1989 song ‘Three Is a Magic Number’ in the end credits of ‘Spider-Man: No Way Home’, which has racked up over $1.4 billion thus far in ticket sales, a rare massive success in the pandemic film industry. But to the disappointment of many fans, the song is not available on streaming services and will not be anytime soon. This is due to longstanding legal issues that last year made major steps toward being resolved but remain in limbo.

Reservoir Music, which last year acquired the catalog of Tommy Boy Records, the group’s original label, pledged that the music will be “coming to fans” — but in a statement to Variety on Friday, a rep for the company wrote: “Unfortunately, no update on the status of De La Soul coming to streaming. We’re still working through it, but aren’t at a place where we can share anything yet.”

As noted in an article on Okayplayer.com, there has been no shortage of outrage online, particularly on TikTok, about the song’s unavailability (although unofficial versions can be found on YouTube). “My son, a Spider-Man fan has discovered that The Magic Number by De La Soul is not on Spotify,” one wrote. “A whole new generation as disappointed as the rest of us have been about this…”

So what’s the problem? In a word: samples. De La Soul’s galvanizing 1989 debut album, ‘Three Feet High and Rising’, was one of the truly groundbreaking albums in hip-hop history, both in terms of its overall theme and the happy, psychedelic vibe it brought to a genre that had largely been musically and lyrically aggressive and/or self-aggrandizing up to that point. It was certified platinum, reached No. 1 on the Billboard R&B/Hip-Hop chart (and No. 24 on the Billboard 200 albums chart) and is universally recognized as one of the best and most influential albums in hip-hop history.

Yet it was made during the dawn of the sample age, and to their considerable detriment, the group ended up being guinea pigs for the creation of laws around them — not only did the ensuing legal battles rack up untold thousands in lawyer fees and effectively sideline the group’s career, but their music also has never legally been available on streaming services.

When Reservoir acquired the Tommy Boy catalog — including ‘Three Feet High’ and other De La Soul albums — for $100 million last year, they promised to work with the group to “bring the catalog and the music back to the fans”; in August the group said they hoped the music would be posted by November, and their website currently says, “Stay tuned, catalog coming soon.”

It appears there has been movement, legally, since the song would have to be licensed to be used in the film, let alone so prominently. However, reps for the film and the group are yet to comment officially.

MOVIES

Will Smith to star in sci-fi thriller ‘Resistor’ from Sony Pictures

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Following the success of “Bad Boys: Ride or Die,” Will Smith is teaming up again with Sony Pictures for the sci-fi thriller “Resistor,” based on Daniel Suarez’s 2014 novel “Influx.” The movie hails from Todd Black, Jason Blumenthal, Steve Tisch and Tony Shaw of Escape Artists, which has been developing the project for years alongside Smith and Jon Mone through Westbrook. Heather Washington is executive producing, and Dave Wilson is a producer.

“Bullet Train” scribe Zak Olkewicz wrote the first draft, while Eric Singer (“Top Gun: Maverick,” “American Hustle”) penned the latest draft. The film is in development and currently in search of a director.

The plot of the film is under wraps, but “Influx” takes place in a dystopian society in which the government uses shady tactics to prevent technological advancement.

Smith’s latest effort with Sony Pictures, the fourth installment in the action comedy franchise “Bad Boys,” has collected $113 million and counting at the domestic box office, and $215.5 million globally. The franchise recently crossed the $1 billion mark at the global box office.

Those box office results marked a big win for Smith, whose career was in jeopardy after he slapped Chris Rock onstage at the Oscars. In fact, “Bad Boys: Ride or Die” nods to that infamous moment with a scene in which Martin Lawrence repeatedly slaps Smith in the face to get him back into his “bad boy” self.

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Marvel’s ‘Blade’ reboot loses director…again

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The Blade reboot has gotten more bad news. After multiple production delays and setbacks, the film has now lost its director… again.

Filmmaker Yann Demange is no longer set to direct the Blade reboot for Marvel Studios. It’s reported that the parting was amicable, but no further clarification was offered as to why Demange departed the project. He becomes the second director to leave the film after first signing on, following the previous departure of Bassim Tariq. Tariq left the project in 2022 after signing on in 2021, and Demange’s hiring was announced in November 2022.

The new Blade movie has similarly been juggling out writers and reportedly undergoing several rewrites. Stacy Osei-Kuffour was brought on board to write a draft in 2021, while it was reported upon Demange’s hiring the following year that Michael Starrbury would rewrite the script. True Detective creator Nic Pizzolatto and Logan co-writer Michael Green have also been attached to contribute to the screenplay at different points. The latest word is that Eric Pearson, who worked on Black Widow and the upcoming films Thunderbolts and The Fantastic Four, is writing the newest draft of Blade.

Reportedly, the Blade reboot is planned to start filming in Fall 2024 to make a November 2025 release date. There’s still time for a new director to be hired in order to continue on with the planned production schedule. With that noted, it’s also possible the movie could end up getting pushed back once again. There were previous rumors that star Mahershala Ali nearly walked away from the project over frustrations with the screenwriting process, though he publicly teased in December 2023 that he was happy with the current direction of the story.

“We’re working on it,” Ali told Entertainment Weekly. “That’s the best I could tell you. I’m really encouraged with the direction of the project. I think we’ll be back at it relatively soon… I’m sincerely encouraged in terms of where things are at and who’s on board and who’s leading the way as far as the writing of the script and the directing and all that. So that’s the extent of what I can tell you.”

The Blade reboot was officially announced by Marvel Studios at San Diego Comic-Con in 2019. In July, it will mark five full years since the movie was first announced. Ali later made his debut in the role with a voice cameo in the 2021 film Eternals.

Blade is scheduled to be released in theaters on Nov. 7, 2025.

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Deadpool & Wolverine director to helm ‘Avengers 5’

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Director Shawn Levy may be sticking around the Marvel Cinematic Universe a bit longer. After he helmed this summer’s “Deadpool and Wolverine,” the director is being eyed by Marvel — though it’s in very early stages — to direct the next “Avengers” movie.

Destin Daniel Cretton, who made 2021’s Marvel movie “Shang-Chi and the Legend of the Ten Rings,” was previously supposed to direct the fifth “Avengers” movie, but he backed out in November 2023. That movie, which is scheduled for May 1, 2026, also does not currently have a title. It was originally named “Avengers: The Kang Dynasty,” but lost that title after Jonathan Majors, who was cast as the time-traveling villain Kang the Conqueror, was convicted of assaulting and harassing his ex-girlfriend. After this untitled “Avengers” movie, the next will be “Avengers: Secret Wars,” set for May 7, 2027.

Levy’s “Deadpool and Wolverine,” which brings together the iconic superheroes played by Ryan Reynolds and Hugh Jackman in Fox’s X-Men universe, will hit theaters on July 26. It will be the first “Deadpool” movie released by Disney after it acquired 20th Century Fox, and it marks the first R-rated MCU movie. Not to mention, it’ll officially bring Fox’s mutants into the proper MCU timeline, which fans have been clamoring for since the acquisition.

Levy previously worked with Reynolds on the 2022 family adventure movie “The Adam Project” (which included Marvel actors Mark Ruffalo and Zoe Saldaña) and 2021’s “Free Guy” (which had Easter eggs nodding to Captain America and Hulk). He’s also worked with Jackman on the 2011 action movie “Real Steel.”

Source: Variety

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