VIEWPOINT

Is ‘House of the Dragon’ worth the hype, or just another spinoff?

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After a long wait, the debut of the brand-new TV series ‘House of The Dragon’, set hundreds of years before the Westeros we all loved to hate, has come to pass. Was it worth the wait, or is it just another spinoff?

Warning: There may be mild spoilers. Please avoid if you haven’t watched the series premiere of ‘House of the Dragon’.

By Abdulkareem Baba Aminu

I’m a massive Game of Thrones fan, so much so that I only showed mild irritation at the sudden turn in story quality of the final season. Even then, I accepted some points and moved on. We can’t have it all, after all. When the initial announcements of the spinoff series were made, I was of course glad. Then, after some drama, ‘House of The Dragon’ materialized as the first to be actively developed and produced. Today, nearly three years since we last stepped foot in GRR Martin’s fantasy world, we’re going back roughly 200 years for a story focusing on an older generation of ‘Game of Thrones’ characters.

While GoT had an intricately-woven tale across different families and cities, the royal Targaryen family in King’s Landing appears to be what ‘House of The Dragon’ mostly centers on, at least for now. The story here is that King Viserys Targaryen (played by Paddy Considine) came to power when a council decided on him – over cousin Rhaenys (played by Eve Best) – since a woman had never ruled.

Costumes, sets, props and even makeup is all top-notch. And why wouldn’t they all be? This is a prequel to one of the biggest and most beloved TV series ever created.

Years after, King Viserys is worried about not having any male heirs, but a precocious daughter, Rhaenyra (played as a teen by Milly Alcock). Now, Queen Aemma Arryn (played by Sian Brooke) is pregnant with what he is sure will be a boy. This is particularly precarious, because if it’s not a boy, Daemon (a phenomenally charismatic Matt Smith) is next in line to the Iron Throne, and many characters – including this viewer – don’t want that to happen.

The premiere episode drew in 9.99 million viewers across HBO and HBO Max, the largest audience in the pay TV channel’s history.

If you have watched the premiere episode by now, you know the rest of the drama: As a jousting tournament with the best knights in Westeros goes on, Queen Aemma goes into labor, facing complications that lead to a brutal C-section that sees her die in a pool of her own blood. One of the most powerful parts of the story – visually or narratively – happened as the king made a decision to choose between his beloved wife and his unborn son. Viserys would go on to lose both, and settle for his daughter as an heir, in an unprecedented move that shocks and angers many, even if they held their peace. The episode ends with me asking myself ‘Is Westeros ready for a queen?’ We will have answers as the episodes go by, I am sure of that.

The unfolding visual spectacle of the world the series is set in is a big draw, as the showrunners have a considerably larger budget to play with than that of the first series. Even the dragons have a touch of superior CGI, and are plentiful in this setting. Costumes, sets, props and even makeup is all top-notch. And why wouldn’t they all be? This is a prequel to one of the biggest and most beloved TV series ever created.

So big, in fact, that the premiere episode drew in 9.99 million viewers across HBO and HBO Max, the largest audience in the pay TV channel’s history, including content that debuted before the streaming era, as well as HBO shows that have since premiered on defunct digital platforms HBO Now and HBO Go, as well as their successor HBO Max.

In the final analysis, my observation is that the story of ‘House of The Dragon’ is indeed a crucial part of GoT lore.

In the final analysis, my observation is that the story of ‘House of The Dragon’ is indeed a crucial part of GoT lore, and is already penned down in all the intricateness that Martin’s books are known for. The direction it is taking, from the first episode, is a compelling one, which can only heighten in stakes and drama for the brilliantly-realized cast of characters.

Even if it’s too early to call, I am declaring this series worth the wait and the hype, and one of the rare occasions when spinoffs prove themselves worthy. But will it become the kind of global sensation must-see-TV its predecessor was? While it appears to be matching the original ‘Game of Thrones’ in terms of shock, sex, and gore, that remains to be seen.  

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