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EXCLUSIVE: Mohale Mashigo reveals Marvel character she’d love to write most

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Mohale Mashigo is the author of the widely acclaimed bestselling novel ‘The Yearning’. Her last book, a collection of brilliantly unsettling speculative fiction short stories called ‘Intruders’ explores how it feels not to belong. Also a comic book writer, she’s written a Black Panther story, knocked an acclaimed stint on United States of Captain America out of the park, and is working on some stories in ‘Batman: Urban Legends’ for DC. She’s also told us which Marvel character she would love to write next, and it’d be a pairing made in heaven. Did we mention she’s also an award-winning singer-songwriter? Well, she granted GeekAfrique an interview, and herewith are excerpts:

By Abdulkareem Baba Aminu

GeekAfrique: First of all, why did you become a writer, and at what point did you decide to? (Basically, what’s your origin story?)

Mohale Mashigo: I don’t know why I became a writer, but I have always been a storyteller. Even from a young age, I enjoyed telling stories. I started writing for fun, with a friend in high school. She would write one chapter, and I would write another. Even then I didn’t consider becoming a writer. It was only once my debut novel, ‘The Yearning’, was published did I think ‘Woah, I think I’m a writer now’.

GeekAfrique: You’ve written some very well-received books. Which of them is your favorite, and why?

Mohale Mashigo: I’ve written a novel and a short story collection. The short story collection is my favorite because I was testing my skills, strengthening my voice, and having fun. Not to say writing ‘The Yearning’ wasn’t fun, but I had no idea what I was doing when I wrote it. With ‘Intruders’, the short story collection, I visited different characters and put them in impossible situations. It was also the first time I really tried speculative fiction. The characters in ‘Intruders’ are also some of my favorites.

Not to say writing ‘The Yearning’ wasn’t fun, but I had no idea what I was doing when I wrote it. With ‘Intruders’, the short story collection, I visited different characters and put them in impossible situations. It was also the first time I really tried speculative fiction.

GeekAfrique: You’re known for skating in and out of various genres. Which, would you say is where you’re most at home?

Mohale Mashigo: I don’t think I’ve written enough to have a favorite genre yet. In fact, I sometimes find myself genre-blending so I would say my favorite is whichever I’m writing at the time. I feel most at home when I write about black women and girls if I’m being completely honest.

GeekAfrique: Your story in Marvel Voices was brilliant, showing us sides of many of our favorite superheroines we hadn’t been shown before. What inspired the story?

Mohale Mashigo: I liked the idea of young heroes being each other’s support system. I genuinely wondered: Who do these young women turn to when they need a break? What do they do on their off days? They know of each other, but could they possibly be friends? I liked the idea of a secret self-care spot and things started flowing from there. Riri, Shuri, and Kamala were perfect for the story.

“I liked the idea of young heroes being each other’s support system. I genuinely wondered: Who do these young women turn to when they need a break? What do they do on their off days? They know of each other, but could they possibly be friends?”

GeekAfrique: For non-South Africans, what’s the Kwezi comic book series all about?

Mohale Mashigo: Kwezi, created by Loyiso Mkize and Clyde Beech) is a story about a regular 19-year-old who suddenly (not really, there is a whole backstory) gains the hero starter pack of powers. Instead of going out here and doing things for “the greater good,” he uses it to become a social media sensation with dreams of being a global icon. It’s a story about ego vs altruism. We go on a journey of self-discovery with him, while he comes against dark forces that want to get rid of him. This all takes place in Gold City (a version of Johannesburg). I joined the team from issue 7 and the comic is now on issue 13.

“Cap is an interesting character, but writing him was never on my radar until I was presented with the opportunity to write a black woman taking on the mantle, then I was like ‘Uhmm…yes please!’ Nichelle Wright is such a badass!”

GeekAfrique: You went from a brilliant Black Panther story on Serial Box for Marvel to The United States of Captain America. Is cap’s story one you’ve always wanted to tell, or are the times simply calling for one?

Mohale Mashigo: Cap is an interesting character, but writing him was never on my radar until I was presented with the opportunity to write a black woman taking on the mantle, then I was like ‘Uhmm…yes please!’ Nichelle Wright is such a badass, and she doesn’t back down from a challenge. She’s also an activist by day, and Captain America by night. I simply fell in love with the character as we were creating her. Nichelle Wright is definitely one of the highlights of my young comic book writing career.

GeekAfrique: Speaking of that, is there a particular Marvel character you’d love to take on?

Mohale Mashigo: Blade. Without. A. Doubt.

GeekAfrique: Do you find flitting from comics to prose to songwriting to screenwriting even a little dizzying?

Mohale Mashigo: Besides learning the technical elements of the different disciplines, no. I’m a storyteller and every story needs the same thing from me: to tell the best way I can. Perhaps I’m a multi-linguist that way. I understand the personalities of the languages but in the end, a story is just a story.

GeekAfrique: While we’re still catching our breaths from ‘Intruders’, when is your next novel coming out?

Mohale Mashigo: I have no idea. I’m certain my publisher will say 2023, ha-ha. In the meantime, I’ve become Lead Writer for a South Africa game developer (Nyamakop) and we are working on something SUPER-exciting. Can’t say what right now, but it’s pretty dope. I also have a 3-part story in ‘Batman: Urban Legends’. The editor (Ben Abernathy) approached me asking if I would be interested in writing something for DC. I said yes, and I was given the character Kid Eternity. He’s in Gotham and things are getting weird and interesting for him. I had fun working on Kid Eternity in Gotham because he’s a weird and mysterious character, which is definitely in my lane.

GeekAfrique: Finally, what, would you say, is one thing a reader would most certainly find in every Mohale Mashigo story?

Mohale Mashigo: Humour. No matter how dark or light the story may be, there will also be humor. It’s how I navigate my own life and it finds its way onto the page. There is always room for laughter.

BOOKS

Nommo Awards 2024: And the nominees are…

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The shortlist for the African Speculative Fiction Society’s Nommo Awards 2024 was announced on Wednesday, June 12, 2024. The Nommo Awards celebrate science fiction, fantasy, and speculative fiction. Since 2016, the event has been an annual affair celebrating writers in the categories of Best Speculative Novel by an African, Best Speculative Novella by an African, Best Speculative Short Story by an African, and Best Graphic Novel/Comic by an African.

Nommo laurels have been clinched by Nnedi Okorafor, Tade Thompson, Akwaeke Emezi, Tochi Onyebuchi, Lesley Nneka Arimah, Nana Akosua Hanson, Ekpeki Oghenechovwe Donald, Innocent Chizaram Ilo, Suyi Davies Okungbowa, Wole Talabi, Nerine Dorman, T. L. Huchu, Pemi Aguda, among others.

The shortlist for the 2024 edition is as follows:

Novel

Bones and Runes, Stephen Embleton (Abibiman Publishing, 2022)

Dazzling, Chikodili Emelumadu (Hachette; Wildifre, Headline Publishing Group, 2023)

Don’t Answer when They Call Your Name, Ukamaka Olisakwe (Masobe Books, 2023)

Shigidi and the Brass Head of Olabufon, Wole Talabi (Gollancz and DAW Books, 2023)

Vagabonds!, Eloghosa Osunde (Harper Collins; 4th Estate and Riverhead Books, 2022)

Warrior of the Wind, Suyi Davies Okungbowa (Orbit Books, 2023)

Novella

Broken Paradise, Eugen Bacon (Luna Press Publishing, 2023)

Land of the Awaiting Birth, Oghenechovwe Donald Ekpeki and Joshua Uchenna Omenga (from Between Dystopias: The Road to Afropantheology, SF & Fantasy, 2023)

The Lies of the Ajungo, Moses Ose Utomi (Tordotcom/Masobe, 2023)

Undulation, Stephen Embleton (from Mothersound: The Sauútiverse Anthology, 2023)

Short Story

A Name is a Plea and a Prophecy, Gabrielle Emem Harry (Strange Horizons 14 August, 2023)

Blackwater Children, Moustapha Mbacké Diop (Haven Speculative Fiction, Issue 7, Nov 2022)

Destiny Delayed, Oghenechovwe Donald Ekpeki (Asimov’s Science Fiction, Vol 46, May/June, 2022) Kɛrozin Lamp Kurfi by Victor Forna (Apex Magazine, 2023)

Like Stars Daring to Shine, Somto Ihezue (Fireside Fiction, July 2022)

Loom, Solomon Uhiara (Dark Matter Magazine No. 8, 2022)

My Mother’s Love, Naomi Eselojor (Hexagon Issue 10 / Fall, 2022)

Osimiri, Chinaza Eziaghighala (Fission #2: Volume 1, An Anthology of Stories from the British Science Fiction Association, BSFA & HWS Press, 2022)

The Way of Baa’gh, Cheryl S. Ntumy (Mothersound: The Sauútiverse Anthology, Android Press, 2023)

Graphic Novel

Die Strandloper, Daniël Hugo (Dream Press & Daniël Hugo, 2022)

Grimm’s Assistant, Mamode Ogbewele (Mode Comics, 2023)

WindMaker volume 1, Roye Okupe, Sunkanmi Akinboye, Toyin Ajetunmobi and Godwin Akpan (Dark Horse Comics, 2022)

The winners will be announced at a yet-to-be-disclosed venue and date.

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COMICS

Countdown to Lagos Comic Convention 2023 begins

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The yearly geek event is Nigeria’s most prominent, and this year promises to grow with more to showcase, and inspire.

By Mariam Abdullahi

The most-anticipated geek event in Nigeria, the Lagos Comic Convention, is set for a return. With just 10 days left, the one-day extravaganza will take place at Landmark Event Centre from 9 a.m. to 7 p.m. on Saturday, the 23rd of September, 2023. As always, a star-studded list of Nigerian creators will be in attendance, with most of the companies and studios already billed to appear, or have a major corporate presence.

The attendance count for this remarkable event continues to grow each year, and GeekAfrique will update you on that as the figures become available. The prediction is that this year will be huge, as Nigeria continues to feature prominently on the global pop culture scene.

The theme for this year’s convention involves the rise of AI and concerns around its use, so it is bound to be interesting.

A short statement on the event’s official website reads: “Attending LCC is an exhilarating and unforgettable experience! Make the most of your weekend in Lagos, play and cosplay your way through the city with a variety of things to do. It’s time to get your geek on! We’re looking forward to welcoming you again to this edition of Lagos comic [convention].”

The attendance count for this remarkable event continues to grow each year, and GeekAfrique will update you on that as the figures become available. The prediction is that this year will be huge, as Nigeria continues to feature prominently on the global pop culture scene.

You can buy tickets in advance HERE.

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COMICS

Why Nigerian comics are taking the world by storm

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Over the past few years, Nigerian comic books have been making waves in the global comic book industry. From their unique storytelling style to their stunning artwork, are being celebrated for their authenticity. What’s the reason for this tour de force?

By Mariam Abdullahi

Nigerian comic books are breaking new ground in terms of representation. For years, the comic books available to readers have been dominated by Western superheroes, with little room for diversity. Nigerian comic books, on the other hand, showcase a wide range of characters, from traditional folklore heroes to contemporary superheroes. These characters are not only diverse in terms of race and ethnicity but also in terms of gender.

This diversity is refreshing and exciting, as it provides a space for underrepresented voices to be heard. One very good example is the YouNeek Universe’s array of titles, like ‘Malika’, ‘E.X.O’, and ‘Iyanu: Child of Wonder’ (currently being developed as an animated series for Cartoon Network). Most recently, Comic Republic was announced to have inked a deal with a major Hollywood production company to produce TV shows based on their line of comics.

There will be more international deals announced as they year goes on. After all, Nigerian comic books are celebrated for their unique storytelling style, known for their use of local languages, dialects, and colloquialisms. This approach not only adds authenticity to the stories but also creates a sense of familiarity for local audiences. Moreover, the use of folklore, mythology, and history provide a fresh perspective on African history and mythology.

They are also praised for their stunning artwork, with work by artists like Etubi Onucheyo, Jide Okonkwo, Mustapha Bulama, Kro Onimole, Chigozie Amadi, Bolaji Olaloye, Godwin Akpan, and many more. They are known for vibrant, colourful, and dynamic art styles, with visually stunning and unique styles that stand out.

For years, they have struggled to get their work recognized on a global scale, but thanks to tech and especially the internet, Nigerian creators now have an ever-widening platform to showcase their talents, and providing a space for them to tell their stories. These stunning comic books also play a vital role in promoting literacy and education. In a country where illiteracy rates are high, comic books provide an accessible and engaging way for people to learn.

Nigerian comic books and their creators often address social and political issues, making them an excellent tool for educating people on important issues. A couple of years ago, the works of writer/illustrator/cartoonist/editor Abdulkareem Baba Aminu were included in the award-winning anthology ‘The Most Important Comic Book On Earth’ alongside that of Alan Moore, John Wagner, Cara Delevingne, Charlie Adlard, and 300 other leading environmentalists, artists, authors, actors, filmmakers, and musicians.

Some Nigerian comic books are even available in local languages, making them accessible to a wider audience. There is also a number of publishers making giant strides, like Spoof!, Vortex, Epoch Comics, Comic Republic, and others. It’s safe to conclude that Nigerian comic books are changing the narrative of African storytelling, as attested to by the high quality of writers and creators, bringing out fresh and compelling stories, characters and concepts.

For too long, African stories have been told by outsiders. That is changing fast, with the rise in showcasing the richness and diversity of African cultures, challenging stereotypes, and promoting a more nuanced understanding of Africa. Overall, they are taking the world by storm for good reason, providing a space for underrepresented voices to be heard, promoting diversity, and showcasing Nigerian talent. As the global comic book industry continues to evolve, Nigerian comics are sure to play an increasingly important role in shaping its future.

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