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COMICS

#NewReview: Why ‘New Masters’ is the freshest comic book of 2022 so far

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A recommendation from a friend led me to discover a comic book that’s both thought-provoking and great fun while being an intricately-woven yarn. And that’s just what can fit into this intro!

By Abdulkareem Baba Aminu

The story opens with the following lines: ‘1124 Post Adventu, a few miles East of the Kainji Mines, deep into the Eko Exclusion Zone’. And that’s when we meet Ola, a spunky tech-enhanced teen accompanied by a droid called Àṣẹ. She’s slid down a cable to scavenge but instead finds what could be a large deposit of raw Obsidium, a crucial mineral that has all kinds of individuals in hot pursuit. I immediately fell in love with the characters, but it becomes absolute when the droid asks our heroine if she would like it to “Initiate the pick-race protocol”. The Nigerian in me went ‘squee!’ even as I became even more excited for what was to follow. (Note: For non-Nigerians, to ‘pick-race’ means to run away, or to flee a situation or an individual out of one’s league)

Ola soon tries to offload her precious find, and in the process, we meet some of the most colorful characters I’ve come across since the original Star Wars trilogy or Nnedi Okorafor’s spectacular ‘LaGuardia’ graphic novel. A shifty suya seller-cum-black market dealer, a high-powered committee consisting of humans and aliens, or a couple made up of a Yemi Alade-esque fashionista and a lover from literally another world. It has such a varied cast of characters that a traditional comic book reader might feel overwhelmed. To me though, it was a perfectly-built world, populated by the most realistic characters I’ve come across in science fiction in a long time.

What’s a futuristic yarn set in Nigeria without Lagos, the city we all love and hate in equal measure? Not to mention cameos by Hausa words like ‘Tozo’ when Ola barters for a bit of Suya at Yaba Market, or an earlier-mentioned exclamation of ‘Shaege’ (a corruption of ‘bastard’, weirdly also used to denote chronic badassery).

Also, what’s a futuristic yarn set in Nigeria without Lagos, the city we all love and hate in equal measure? Not to mention cameos by Hausa words like ‘Tozo’ when Ola barters for a bit of Suya at Yaba Market, or an earlier-mentioned exclamation of ‘Shaege’ (a corruption of the Hausa word for ‘bastard’, weirdly also used to denote chronic badassery). Then the cherry – or cherries – on this layered cake: Views of Eko City itself, as well as the slums of Makoko, still sinking even in this far-flung future.

This, the first story arc, is called ‘The Eye of Orunmila’ in reference to a massive status quo-changing trove of knowledge that will change the universe. It also appears to be the chief McGuffin of the story, driving the story forward so well that the following chapters almost have no choice but to follow suit. This brings me to the writing by Shobo Coker, one half of the duo of Nigerian brothers who created this masterpiece, deft in its delivery of character beats, and in its layering of fantastical sci-fi backdrops. The dialogue flows in such an organic way that one could easily forget he is reading a comic book. One word: Bravo.

One minute it looks stark and glisteningly computer-generated a la ‘Blade Runner’, the next it’s as organic and unsettling as some of the most masterful watercolour work currently being done in the medium, a la the production design of Denis Villeneuve’s ‘Dune’ film.

The art, by Shof Coker, is the work of an accomplished illustrator. One minute it looks stark and glisteningly computer-generated a la ‘Blade Runner’, the next it’s as organic and unsettling as some of the most masterful watercolor work currently being done in the medium, a la the production design of Denis Villeneuve’s ‘Dune’ film. Even the lettering is kinetically charged and is part of the artistry which graces the pages of this beautiful comic book. There are also locales as many as they are far-flung from each other, and a distinct and deliberately-done combination of the familiar and the futuristic. One word: Bravo, also.

PR material says it is ‘A vision of West Africa under the thumb of alien colonizers’, wherein ‘A motley crew of outcasts finds themselves caught up in a power struggle for control of an ancient artifact with immense power’. The comic book is also described as ‘A ground-breaking blend of science fiction, adventure, drama, and vibrant Afrofuturism’. I totally agree, even if the correct term is ‘Africanfuturism’, but that’s a fight for another day.

The comic book is also described as ‘A ground-breaking blend of science fiction, adventure, drama, and vibrant Afrofuturism’. I totally agree, even if the correct term is ‘Africanfuturism’, but that’s a fight for another day.

While I’ll be first in line for the inevitable trade paperback edition, something tells me that by the time my mini reading marathon is done, I will have learned more about the world’s present problems in this futuristic tale than anything else. Right now, I’m going to read (and re-read) the second, third and fourth issues, and savor their freshness. This is definitely the most energetic debut of this year so far, and by far.

Rating: 9/10

‘New Masters’ issues 1-4, published by Image Comics, are on sale now. 

BOOKS

Nommo Awards 2024: And the nominees are…

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The shortlist for the African Speculative Fiction Society’s Nommo Awards 2024 was announced on Wednesday, June 12, 2024. The Nommo Awards celebrate science fiction, fantasy, and speculative fiction. Since 2016, the event has been an annual affair celebrating writers in the categories of Best Speculative Novel by an African, Best Speculative Novella by an African, Best Speculative Short Story by an African, and Best Graphic Novel/Comic by an African.

Nommo laurels have been clinched by Nnedi Okorafor, Tade Thompson, Akwaeke Emezi, Tochi Onyebuchi, Lesley Nneka Arimah, Nana Akosua Hanson, Ekpeki Oghenechovwe Donald, Innocent Chizaram Ilo, Suyi Davies Okungbowa, Wole Talabi, Nerine Dorman, T. L. Huchu, Pemi Aguda, among others.

The shortlist for the 2024 edition is as follows:

Novel

Bones and Runes, Stephen Embleton (Abibiman Publishing, 2022)

Dazzling, Chikodili Emelumadu (Hachette; Wildifre, Headline Publishing Group, 2023)

Don’t Answer when They Call Your Name, Ukamaka Olisakwe (Masobe Books, 2023)

Shigidi and the Brass Head of Olabufon, Wole Talabi (Gollancz and DAW Books, 2023)

Vagabonds!, Eloghosa Osunde (Harper Collins; 4th Estate and Riverhead Books, 2022)

Warrior of the Wind, Suyi Davies Okungbowa (Orbit Books, 2023)

Novella

Broken Paradise, Eugen Bacon (Luna Press Publishing, 2023)

Land of the Awaiting Birth, Oghenechovwe Donald Ekpeki and Joshua Uchenna Omenga (from Between Dystopias: The Road to Afropantheology, SF & Fantasy, 2023)

The Lies of the Ajungo, Moses Ose Utomi (Tordotcom/Masobe, 2023)

Undulation, Stephen Embleton (from Mothersound: The Sauútiverse Anthology, 2023)

Short Story

A Name is a Plea and a Prophecy, Gabrielle Emem Harry (Strange Horizons 14 August, 2023)

Blackwater Children, Moustapha Mbacké Diop (Haven Speculative Fiction, Issue 7, Nov 2022)

Destiny Delayed, Oghenechovwe Donald Ekpeki (Asimov’s Science Fiction, Vol 46, May/June, 2022) Kɛrozin Lamp Kurfi by Victor Forna (Apex Magazine, 2023)

Like Stars Daring to Shine, Somto Ihezue (Fireside Fiction, July 2022)

Loom, Solomon Uhiara (Dark Matter Magazine No. 8, 2022)

My Mother’s Love, Naomi Eselojor (Hexagon Issue 10 / Fall, 2022)

Osimiri, Chinaza Eziaghighala (Fission #2: Volume 1, An Anthology of Stories from the British Science Fiction Association, BSFA & HWS Press, 2022)

The Way of Baa’gh, Cheryl S. Ntumy (Mothersound: The Sauútiverse Anthology, Android Press, 2023)

Graphic Novel

Die Strandloper, Daniël Hugo (Dream Press & Daniël Hugo, 2022)

Grimm’s Assistant, Mamode Ogbewele (Mode Comics, 2023)

WindMaker volume 1, Roye Okupe, Sunkanmi Akinboye, Toyin Ajetunmobi and Godwin Akpan (Dark Horse Comics, 2022)

The winners will be announced at a yet-to-be-disclosed venue and date.

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COMICS

Countdown to Lagos Comic Convention 2023 begins

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The yearly geek event is Nigeria’s most prominent, and this year promises to grow with more to showcase, and inspire.

By Mariam Abdullahi

The most-anticipated geek event in Nigeria, the Lagos Comic Convention, is set for a return. With just 10 days left, the one-day extravaganza will take place at Landmark Event Centre from 9 a.m. to 7 p.m. on Saturday, the 23rd of September, 2023. As always, a star-studded list of Nigerian creators will be in attendance, with most of the companies and studios already billed to appear, or have a major corporate presence.

The attendance count for this remarkable event continues to grow each year, and GeekAfrique will update you on that as the figures become available. The prediction is that this year will be huge, as Nigeria continues to feature prominently on the global pop culture scene.

The theme for this year’s convention involves the rise of AI and concerns around its use, so it is bound to be interesting.

A short statement on the event’s official website reads: “Attending LCC is an exhilarating and unforgettable experience! Make the most of your weekend in Lagos, play and cosplay your way through the city with a variety of things to do. It’s time to get your geek on! We’re looking forward to welcoming you again to this edition of Lagos comic [convention].”

The attendance count for this remarkable event continues to grow each year, and GeekAfrique will update you on that as the figures become available. The prediction is that this year will be huge, as Nigeria continues to feature prominently on the global pop culture scene.

You can buy tickets in advance HERE.

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COMICS

Why Nigerian comics are taking the world by storm

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Over the past few years, Nigerian comic books have been making waves in the global comic book industry. From their unique storytelling style to their stunning artwork, are being celebrated for their authenticity. What’s the reason for this tour de force?

By Mariam Abdullahi

Nigerian comic books are breaking new ground in terms of representation. For years, the comic books available to readers have been dominated by Western superheroes, with little room for diversity. Nigerian comic books, on the other hand, showcase a wide range of characters, from traditional folklore heroes to contemporary superheroes. These characters are not only diverse in terms of race and ethnicity but also in terms of gender.

This diversity is refreshing and exciting, as it provides a space for underrepresented voices to be heard. One very good example is the YouNeek Universe’s array of titles, like ‘Malika’, ‘E.X.O’, and ‘Iyanu: Child of Wonder’ (currently being developed as an animated series for Cartoon Network). Most recently, Comic Republic was announced to have inked a deal with a major Hollywood production company to produce TV shows based on their line of comics.

There will be more international deals announced as they year goes on. After all, Nigerian comic books are celebrated for their unique storytelling style, known for their use of local languages, dialects, and colloquialisms. This approach not only adds authenticity to the stories but also creates a sense of familiarity for local audiences. Moreover, the use of folklore, mythology, and history provide a fresh perspective on African history and mythology.

They are also praised for their stunning artwork, with work by artists like Etubi Onucheyo, Jide Okonkwo, Mustapha Bulama, Kro Onimole, Chigozie Amadi, Bolaji Olaloye, Godwin Akpan, and many more. They are known for vibrant, colourful, and dynamic art styles, with visually stunning and unique styles that stand out.

For years, they have struggled to get their work recognized on a global scale, but thanks to tech and especially the internet, Nigerian creators now have an ever-widening platform to showcase their talents, and providing a space for them to tell their stories. These stunning comic books also play a vital role in promoting literacy and education. In a country where illiteracy rates are high, comic books provide an accessible and engaging way for people to learn.

Nigerian comic books and their creators often address social and political issues, making them an excellent tool for educating people on important issues. A couple of years ago, the works of writer/illustrator/cartoonist/editor Abdulkareem Baba Aminu were included in the award-winning anthology ‘The Most Important Comic Book On Earth’ alongside that of Alan Moore, John Wagner, Cara Delevingne, Charlie Adlard, and 300 other leading environmentalists, artists, authors, actors, filmmakers, and musicians.

Some Nigerian comic books are even available in local languages, making them accessible to a wider audience. There is also a number of publishers making giant strides, like Spoof!, Vortex, Epoch Comics, Comic Republic, and others. It’s safe to conclude that Nigerian comic books are changing the narrative of African storytelling, as attested to by the high quality of writers and creators, bringing out fresh and compelling stories, characters and concepts.

For too long, African stories have been told by outsiders. That is changing fast, with the rise in showcasing the richness and diversity of African cultures, challenging stereotypes, and promoting a more nuanced understanding of Africa. Overall, they are taking the world by storm for good reason, providing a space for underrepresented voices to be heard, promoting diversity, and showcasing Nigerian talent. As the global comic book industry continues to evolve, Nigerian comics are sure to play an increasingly important role in shaping its future.

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