One thing longtime fans of DC have come to count on is that while the company spent the last ten years floundering around in a pool of confusion, their animated films rarely, if ever, miss. Justice League Warworld continues to lend credence to this argument, though not in a particularly new, unique, or memorable way.
Here’s the premise: The big three (Superman, Batman, and Wonder Woman) are scattered across time by some phenomenon they do not understand. They have no memories of who they are or how they got there, but they know they have to consistently ‘keep moving’.
Wonder Woman visits a wild western town in which a distinct DC anti-hero rules with an iron fist. Batman is stuck in a prehistoric world, complete with dinosaurs and warlords and warrior women. And then, the big three reunite at the end for what starts as a ‘mystery-in-a-diner’ noir-esque story that sort of explains what’s been happening but does nothing with that revelation.
The big three reunite at the end for what starts as a ‘mystery-in-a-diner’ noir-esque story that sort of explains what’s been happening but does nothing with that revelation.
But there’s a lot to root for in this film: the voice cast is splendid, with Jensen Ackles playing Batman, Darren Criss as Superman, Stana Katic as Wonder Woman, Troy Baker as Jonah Hex, and so on. Somehow Ackles has avoided the Conroy comparisons (probably because he started voicing Batman before Conroy passed) so far, and in a good way.
The art style stays within the confines of the Tomorrowverse comfortably, and the animation looks great and fluid. The action sequences leave quite a bit to be desired, though, with Batman going through the motions and forgetting what makes him such a much-revered hand-to-hand fighter. The heroes also act out of character a number of times, Batman leaving someone who just freed him to die, and Superman being quite thick-headed and missing several obvious clues.
The heroes also act out of character a number of times, Batman leaving someone who just freed him to die, and Superman being quite thick-headed and missing several obvious clues.
Still, the biggest letdown is the fact that the movie ends, but there’s no resolution. It rather spends the climax setting up a sequel, which may be the just-announced Crisis on Infinite Earths. The movie skimps on the emotional satisfaction that comes with a perfectly-landed climax and instead jerks the audience away on the ‘something-bigger-approaches’ segue. It feels as though the ending was changed just before it left the cutting room. Still, ‘Justice League: Warworld’ is worth a watch.
Following the success of “Bad Boys: Ride or Die,” Will Smith is teaming up again with Sony Pictures for the sci-fi thriller “Resistor,” based on Daniel Suarez’s 2014 novel “Influx.” The movie hails from Todd Black, Jason Blumenthal, Steve Tisch and Tony Shaw of Escape Artists, which has been developing the project for years alongside Smith and Jon Mone through Westbrook. Heather Washington is executive producing, and Dave Wilson is a producer.
“Bullet Train” scribe Zak Olkewicz wrote the first draft, while Eric Singer (“Top Gun: Maverick,” “American Hustle”) penned the latest draft. The film is in development and currently in search of a director.
The plot of the film is under wraps, but “Influx” takes place in a dystopian society in which the government uses shady tactics to prevent technological advancement.
Smith’s latest effort with Sony Pictures, the fourth installment in the action comedy franchise “Bad Boys,” has collected $113 million and counting at the domestic box office, and $215.5 million globally. The franchise recently crossed the $1 billion mark at the global box office.
Those box office results marked a big win for Smith, whose career was in jeopardy after he slapped Chris Rock onstage at the Oscars. In fact, “Bad Boys: Ride or Die” nods to that infamous moment with a scene in which Martin Lawrence repeatedly slaps Smith in the face to get him back into his “bad boy” self.
The Blade reboot has gotten more bad news. After multiple production delays and setbacks, the film has now lost its director… again.
Filmmaker Yann Demange is no longer set to direct the Blade reboot for Marvel Studios. It’s reported that the parting was amicable, but no further clarification was offered as to why Demange departed the project. He becomes the second director to leave the film after first signing on, following the previous departure of Bassim Tariq. Tariq left the project in 2022 after signing on in 2021, and Demange’s hiring was announced in November 2022.
The new Blade movie has similarly been juggling out writers and reportedly undergoing several rewrites. Stacy Osei-Kuffour was brought on board to write a draft in 2021, while it was reported upon Demange’s hiring the following year that Michael Starrbury would rewrite the script. True Detective creator Nic Pizzolatto and Logan co-writer Michael Green have also been attached to contribute to the screenplay at different points. The latest word is that Eric Pearson, who worked on Black Widow and the upcoming films Thunderbolts and The Fantastic Four, is writing the newest draft of Blade.
Reportedly, the Blade reboot is planned to start filming in Fall 2024 to make a November 2025 release date. There’s still time for a new director to be hired in order to continue on with the planned production schedule. With that noted, it’s also possible the movie could end up getting pushed back once again. There were previous rumors that star Mahershala Ali nearly walked away from the project over frustrations with the screenwriting process, though he publicly teased in December 2023 that he was happy with the current direction of the story.
“We’re working on it,” Ali told Entertainment Weekly. “That’s the best I could tell you. I’m really encouraged with the direction of the project. I think we’ll be back at it relatively soon… I’m sincerely encouraged in terms of where things are at and who’s on board and who’s leading the way as far as the writing of the script and the directing and all that. So that’s the extent of what I can tell you.”
The Blade reboot was officially announced by Marvel Studios at San Diego Comic-Con in 2019. In July, it will mark five full years since the movie was first announced. Ali later made his debut in the role with a voice cameo in the 2021 film Eternals.
Blade is scheduled to be released in theaters on Nov. 7, 2025.
Director Shawn Levy may be sticking around the Marvel Cinematic Universe a bit longer. After he helmed this summer’s “Deadpool and Wolverine,” the director is being eyed by Marvel — though it’s in very early stages — to direct the next “Avengers” movie.
Destin Daniel Cretton, who made 2021’s Marvel movie “Shang-Chi and the Legend of the Ten Rings,” was previously supposed to direct the fifth “Avengers” movie, but he backed out in November 2023. That movie, which is scheduled for May 1, 2026, also does not currently have a title. It was originally named “Avengers: The Kang Dynasty,” but lost that title after Jonathan Majors, who was cast as the time-traveling villain Kang the Conqueror, was convicted of assaulting and harassing his ex-girlfriend. After this untitled “Avengers” movie, the next will be “Avengers: Secret Wars,” set for May 7, 2027.
Levy’s “Deadpool and Wolverine,” which brings together the iconic superheroes played by Ryan Reynolds and Hugh Jackman in Fox’s X-Men universe, will hit theaters on July 26. It will be the first “Deadpool” movie released by Disney after it acquired 20th Century Fox, and it marks the first R-rated MCU movie. Not to mention, it’ll officially bring Fox’s mutants into the proper MCU timeline, which fans have been clamoring for since the acquisition.
Levy previously worked with Reynolds on the 2022 family adventure movie “The Adam Project” (which included Marvel actors Mark Ruffalo and Zoe Saldaña) and 2021’s “Free Guy” (which had Easter eggs nodding to Captain America and Hulk). He’s also worked with Jackman on the 2011 action movie “Real Steel.”
