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Review: ‘Bayajidda: An African Legend’ by Claude Opara and Ibrahim Yakubu

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Our reviewer describes ‘Bayajidda: An African Legend’ by Claude Opara and Ibrahim Yakubu as ‘a fantastic, thought-provoking read’. Read more for his insightful views on a retelling of a Hausa legend.

By Farid Obineche

A fantastic, thought-provoking read for this Nigerian comic fan at a time when Northern Nigeria is perhaps as firmly established in the global consciousness as it ever has been. Predating Netflix’s well-received Queen Amina film by four years, Bayajidda tells the fascinating story of the legendary founder of the Hausa kingdom.

Linking the Hausa foundation story back to the Royal House of Baghdad, and beyond to ancient Persia is a common thread in the etymology of many Northern African cultures and an interesting one to see examined, and illustrated in this way.

The illustrations, by Ibrahim Yakubu, are a marvel to behold

Though rich with historical facts and cultural anchors the story remains very accessible and is a valuable addition to both comic lore and popular historical entertainment on a few levels. First the purely historical, where it illuminates a little-known progenitor story of an important African tribal nation.

“Linking the Hausa foundation story back to the Royal House of Baghdad, and beyond to ancient Persia is a common thread in the etymology of many Northern African cultures and an interesting one to see examined, and illustrated in this way.”

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It also provides a delightful religio-cultural context to many areas of contemporary Hausa culture. Dan Iska, a term that literally translates to ‘Son of the Wind’ which in contemporary Hausa is widely – and lightly – used to mean ‘rascal’ is personified as a mischievous but well-intentioned imp-like dust devil that aids our protagonist on his adventure in the funniest of ways.

Both tales possess strikingly similar motifs of a righteous prince proving his mettle to his father by traveling through strange desert lands, a monstrous serpent, and sandstorms that confound pursuers. Both heroes are gifted a magical blade by a mysterious group of hooded guardians who have long prophesied the hero’s arrival. In both stories, the dagger is key to their eventual triumph.

Throw in another classic Herbert reference of a swarm of attacking rats and one wonders how much modern Western fiction takes our cultural histories as inspiration, even as we neglect those histories – and in Nigeria even the very idea of history – ourselves.

The parallels between an ancient Borno Empire whose citizens cower in hiding from marauders and the contemporary privations of bandit-run Borno State are unmissable and thought-provoking. Political and military machinations through ancient and modern times have meant the denizens of these states still live in conditions that have not improved in centuries.

Cover of Bayajidda: An African Legend, by Ibrahim Yakubu

Also, the poignant and fascinating inclusion of the water well and sword from the legend is as amazing as it is depressing. How many young Nigerians will ever be able to see these sites and objects imbued with legend and history?

Opara’s excellent comic – the first in his African Legend series – did a great job of introducing an important, entertaining story to the general public and sets the scene for foundation legends of the myriad Nigerian and African pre-colonial nations.

Obineche is the Creative Director of Shoreditch Townhouse, London

‘Bayajidda: An African Legend’, written by Claude Opara and illustrated by Ibrahim Yakubu, is published by African Legends Series, is available on Amazon (Kindle and paperback) in both English, and French.

BOOKS

Nommo Awards 2024: And the nominees are…

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The shortlist for the African Speculative Fiction Society’s Nommo Awards 2024 was announced on Wednesday, June 12, 2024. The Nommo Awards celebrate science fiction, fantasy, and speculative fiction. Since 2016, the event has been an annual affair celebrating writers in the categories of Best Speculative Novel by an African, Best Speculative Novella by an African, Best Speculative Short Story by an African, and Best Graphic Novel/Comic by an African.

Nommo laurels have been clinched by Nnedi Okorafor, Tade Thompson, Akwaeke Emezi, Tochi Onyebuchi, Lesley Nneka Arimah, Nana Akosua Hanson, Ekpeki Oghenechovwe Donald, Innocent Chizaram Ilo, Suyi Davies Okungbowa, Wole Talabi, Nerine Dorman, T. L. Huchu, Pemi Aguda, among others.

The shortlist for the 2024 edition is as follows:

Novel

Bones and Runes, Stephen Embleton (Abibiman Publishing, 2022)

Dazzling, Chikodili Emelumadu (Hachette; Wildifre, Headline Publishing Group, 2023)

Don’t Answer when They Call Your Name, Ukamaka Olisakwe (Masobe Books, 2023)

Shigidi and the Brass Head of Olabufon, Wole Talabi (Gollancz and DAW Books, 2023)

Vagabonds!, Eloghosa Osunde (Harper Collins; 4th Estate and Riverhead Books, 2022)

Warrior of the Wind, Suyi Davies Okungbowa (Orbit Books, 2023)

Novella

Broken Paradise, Eugen Bacon (Luna Press Publishing, 2023)

Land of the Awaiting Birth, Oghenechovwe Donald Ekpeki and Joshua Uchenna Omenga (from Between Dystopias: The Road to Afropantheology, SF & Fantasy, 2023)

The Lies of the Ajungo, Moses Ose Utomi (Tordotcom/Masobe, 2023)

Undulation, Stephen Embleton (from Mothersound: The Sauútiverse Anthology, 2023)

Short Story

A Name is a Plea and a Prophecy, Gabrielle Emem Harry (Strange Horizons 14 August, 2023)

Blackwater Children, Moustapha Mbacké Diop (Haven Speculative Fiction, Issue 7, Nov 2022)

Destiny Delayed, Oghenechovwe Donald Ekpeki (Asimov’s Science Fiction, Vol 46, May/June, 2022) Kɛrozin Lamp Kurfi by Victor Forna (Apex Magazine, 2023)

Like Stars Daring to Shine, Somto Ihezue (Fireside Fiction, July 2022)

Loom, Solomon Uhiara (Dark Matter Magazine No. 8, 2022)

My Mother’s Love, Naomi Eselojor (Hexagon Issue 10 / Fall, 2022)

Osimiri, Chinaza Eziaghighala (Fission #2: Volume 1, An Anthology of Stories from the British Science Fiction Association, BSFA & HWS Press, 2022)

The Way of Baa’gh, Cheryl S. Ntumy (Mothersound: The Sauútiverse Anthology, Android Press, 2023)

Graphic Novel

Die Strandloper, Daniël Hugo (Dream Press & Daniël Hugo, 2022)

Grimm’s Assistant, Mamode Ogbewele (Mode Comics, 2023)

WindMaker volume 1, Roye Okupe, Sunkanmi Akinboye, Toyin Ajetunmobi and Godwin Akpan (Dark Horse Comics, 2022)

The winners will be announced at a yet-to-be-disclosed venue and date.

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COMICS

Countdown to Lagos Comic Convention 2023 begins

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The yearly geek event is Nigeria’s most prominent, and this year promises to grow with more to showcase, and inspire.

By Mariam Abdullahi

The most-anticipated geek event in Nigeria, the Lagos Comic Convention, is set for a return. With just 10 days left, the one-day extravaganza will take place at Landmark Event Centre from 9 a.m. to 7 p.m. on Saturday, the 23rd of September, 2023. As always, a star-studded list of Nigerian creators will be in attendance, with most of the companies and studios already billed to appear, or have a major corporate presence.

The attendance count for this remarkable event continues to grow each year, and GeekAfrique will update you on that as the figures become available. The prediction is that this year will be huge, as Nigeria continues to feature prominently on the global pop culture scene.

The theme for this year’s convention involves the rise of AI and concerns around its use, so it is bound to be interesting.

A short statement on the event’s official website reads: “Attending LCC is an exhilarating and unforgettable experience! Make the most of your weekend in Lagos, play and cosplay your way through the city with a variety of things to do. It’s time to get your geek on! We’re looking forward to welcoming you again to this edition of Lagos comic [convention].”

The attendance count for this remarkable event continues to grow each year, and GeekAfrique will update you on that as the figures become available. The prediction is that this year will be huge, as Nigeria continues to feature prominently on the global pop culture scene.

You can buy tickets in advance HERE.

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COMICS

Why Nigerian comics are taking the world by storm

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Over the past few years, Nigerian comic books have been making waves in the global comic book industry. From their unique storytelling style to their stunning artwork, are being celebrated for their authenticity. What’s the reason for this tour de force?

By Mariam Abdullahi

Nigerian comic books are breaking new ground in terms of representation. For years, the comic books available to readers have been dominated by Western superheroes, with little room for diversity. Nigerian comic books, on the other hand, showcase a wide range of characters, from traditional folklore heroes to contemporary superheroes. These characters are not only diverse in terms of race and ethnicity but also in terms of gender.

This diversity is refreshing and exciting, as it provides a space for underrepresented voices to be heard. One very good example is the YouNeek Universe’s array of titles, like ‘Malika’, ‘E.X.O’, and ‘Iyanu: Child of Wonder’ (currently being developed as an animated series for Cartoon Network). Most recently, Comic Republic was announced to have inked a deal with a major Hollywood production company to produce TV shows based on their line of comics.

There will be more international deals announced as they year goes on. After all, Nigerian comic books are celebrated for their unique storytelling style, known for their use of local languages, dialects, and colloquialisms. This approach not only adds authenticity to the stories but also creates a sense of familiarity for local audiences. Moreover, the use of folklore, mythology, and history provide a fresh perspective on African history and mythology.

They are also praised for their stunning artwork, with work by artists like Etubi Onucheyo, Jide Okonkwo, Mustapha Bulama, Kro Onimole, Chigozie Amadi, Bolaji Olaloye, Godwin Akpan, and many more. They are known for vibrant, colourful, and dynamic art styles, with visually stunning and unique styles that stand out.

For years, they have struggled to get their work recognized on a global scale, but thanks to tech and especially the internet, Nigerian creators now have an ever-widening platform to showcase their talents, and providing a space for them to tell their stories. These stunning comic books also play a vital role in promoting literacy and education. In a country where illiteracy rates are high, comic books provide an accessible and engaging way for people to learn.

Nigerian comic books and their creators often address social and political issues, making them an excellent tool for educating people on important issues. A couple of years ago, the works of writer/illustrator/cartoonist/editor Abdulkareem Baba Aminu were included in the award-winning anthology ‘The Most Important Comic Book On Earth’ alongside that of Alan Moore, John Wagner, Cara Delevingne, Charlie Adlard, and 300 other leading environmentalists, artists, authors, actors, filmmakers, and musicians.

Some Nigerian comic books are even available in local languages, making them accessible to a wider audience. There is also a number of publishers making giant strides, like Spoof!, Vortex, Epoch Comics, Comic Republic, and others. It’s safe to conclude that Nigerian comic books are changing the narrative of African storytelling, as attested to by the high quality of writers and creators, bringing out fresh and compelling stories, characters and concepts.

For too long, African stories have been told by outsiders. That is changing fast, with the rise in showcasing the richness and diversity of African cultures, challenging stereotypes, and promoting a more nuanced understanding of Africa. Overall, they are taking the world by storm for good reason, providing a space for underrepresented voices to be heard, promoting diversity, and showcasing Nigerian talent. As the global comic book industry continues to evolve, Nigerian comics are sure to play an increasingly important role in shaping its future.

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