The latest entry in the Tom Holland-led trilogy will became the biggest movie of the year worldwide yesterday, Friday, Christmas Eve. It’s set to cross the $1 billion mark on Christmas Day. At 11 days, it would be the second-fastest to hit that milestone (behind 2019’s “Avengers: Endgame” at five days and tied with 2018’s “Avengers: Infinity War”). It would also be the first theatrical release of the pandemic to join the billion-dollar club — even without China, the largest box office market in the world.
“No Way Home” made $29.3 million domestically on Thursday, bringing its seven-day gross to $385.8 million — the third-highest seven-day gross of all time, the highest seven-day gross in the “Spider-Man” franchise, and the second-highest seven-day gross ever for December and for a superhero film.
The Thursday earning is the third-highest Thursday gross of December of all time, and the highest Thursday take for Sony, the “Spider-Man” franchise and for a superhero pic. Internationally, it brought in $32.2 million on Thursday, bumping its overseas total to $490.2 million and global haul to $876.0 million.
In total, seven new films opened this weekend, including “The King’s Man,” “The Tender Bar,” “A Journal for Jordan,” “American Underdog” and “Licorice Pizza.” But none of them will top “Spider-Man: No Way Home,” which debuted to a record-breaking $260 million last weekend.
On Monday, “No Way Home” raked in another $37 million, and early estimates for this weekend predicted the superhero movie would make another $100 million this weekend.
First trailer for ‘Avatar: The Way of Water’, James Cameron’s long-awaited sequel drops
After 13 years and numerous delays, 20th Century Studios has finally released a glimpse into James Cameron’s ‘Avatar 2’, due Dec. 16. This marks the long-awaited sequel to the highest-grossing film of all time. The sequel’s official title is ‘Avatar: The Way of Water’. See video below:
After being re-released last year in China, the first ‘Avatar’ overtook ‘Avengers: Endgame’ as the most lucrative film of all time (according to ticket sales) when its revenue surpassed $2.8 billion globally. Its original run in the United States was unprecedented, with the film thriving in theaters for over 10 months.
The second ‘Avatar’ is set to star many of the original film’s cast members, including Zoe Saldana as Neytiri, Sigourney Weaver in a new role and Sam Worthington as Jake Sully. Joining the cast are Kate Winslet as Ronal, Michelle Yeoh as Dr. Karina Mogue and Oona Chaplin as Varang, among others. The new film picks up where the last left off, with Sully and Neytiri building their family on the planet of Pandora and fighting new threats to its burgeoning civilization.
‘Avatar 2’ is scheduled for release on Dec. 16. Cameron initially said he was aiming for a 2014 release, which was pushed back seven times until its current date later this year. Shooting for the film wrapped back in 2020 in tandem with ‘Avatar 3’, which is set for a 2024 release. Cameron said he combined the filming process for the first two sequels, plus “a little bit of ‘4.’”
“We mixed the schedules for ‘2’ and ‘3’ together, based on the types of scenes and the environments,” Cameron said. “I said, let’s just treat it like it’s a six-hour miniseries and we’re only going to go to Frankfurt once. We’re going to shoot all the scenes from ‘2’ and ‘3’ at the same time. That was more or less the motif.”
REVIEW: Doctor Strange sequel proves to be a crazy romp in ‘Multiverse of Madness’
With hints of horror in its DNA and pure superhero craziness, the return of Benedict Cumberbatch and co. – new characters in tow – is weirdly fun and cumbersome at the same time. But mostly fun, as our reviewer opines.
By Abdukareem Baba Aminu
It’s stating the obvious that ‘Doctor Strange in the Multiverse of Madness’ has a lot resting on its shoulders. After all, it is coming after the highly successful ‘Spider-Man: No Way Home’, the last Marvel movie wherein the titular sorcerer had a major role. That movie, starring Tom Holland and Zendaya, went on to gross well over $1.8 billion, becoming the sixth-highest grossing movie of all time. Set in several universes at once – and regularly ricocheting into deeper and more spiraling dimensions of alternate realities – the plot for Dr. Stephen Strange’s second solo film begins with fully-formed chaos.
It opens with America Chavez and an alternate version of Dr. Stephen Strange fleeing through the space between universes to find the Book of Vishanti to stop a demon chasing them. Strange is killed, and Chavez accidentally creates a portal that sucks them all in. Meanwhile, on our Earth, Strange is at the wedding of his ex-fiancé, where a tentacle monster wreaks havoc chasing Chavez, but Strange saves Chavez and kills the demon with help from Sorcerer Supreme Wong. Chavez explains that the demons are hunting her because she has the power to travel through the Multiverse, and it is at that exact point it becomes clear that this will be a crazy romp of a movie.
There is a lot at stake in the film, and at the same time, there isn’t much, as it’s leaning heavily into the whole Multiverse shtick, which makes long-lasting consequences spare and far between.
Strange finds traces of witchcraft on the demon and alternate-reality Strange’s corpse, and he consults Wanda Maximoff, finding out secrets that send the story spiraling into the dark story it becomes. There is a lot at stake in the film, and at the same time, there isn’t much, as it’s leaning heavily into the whole Multiverse shtick, which makes long-lasting consequences spare and far between. Like when a major character is in danger and you know somehow that the whole alternate reality situation will ensure he or she comes out unscathed. But if that sounds like a complaint, forgive me, it’s not: Because that’s where some of the biggest, sweetest goodies in this film lurk.
After a ton of magical battles pitting sorcery against witchcraft and giving us some really heartfelt performances from a notable Elizabeth Olsen as Wanda, we (and Strange) end up in the courtyard of this reality’s version of the Illuminati, which in the comics is a collective of some of the most powerful and brilliant characters in the Marvel universe. The theatre I watched the movie in exploded in cheers at this point, as member after member of the shadowy super-group was introduced. It goes without saying that some of the surprise appearances are truly jaw-dropping.
This movie is probably the most important one in the Marvel Cinematic Universe (MCU to hardcore fans) since ‘Avengers: Endgame’, continuing the shared continuity’s foray into an exploration of parallel universes. Theoretically, this should make it even more compelling and fun, but I found myself exhausted at the end, even when what’s played out is saying I should be satisfied. Don’t get me wrong: It’s a very engrossing movie, but one which presents the irony of being interesting and at the same time feeling like a walk through 10-inch snowfall. Or mud, depending on where your geographical idioms rest.
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It’s a very engrossing movie, but one which presents the irony of being interesting and at the same time feeling like a walk through 10-inch snowfall. Or mud, depending on where your geographical idioms rest.
Of course, there will be stellar performances galore, led by the perfectly-cast and always on-point Cumberbatch, Benedict Wong as stoic Sorcerer Supreme Wong, and brilliantly precocious Multiverse-hopping teen America Chavez played by equally brilliant Xochitl Gomez. Elizabeth Olsen, too, shines as she does in all her MCU appearances, giving layers and nuance to the tragically heartbroken (or just broken) character of Wanda Maximoff, whose spiral into all shades of darkness needs to be seen. After all, she’s had enough revving time in the absolutely perfect Disney+ series ‘WandaVision’.
We are, as the movie title posits, treated to a variety of alternate universes, some of which will have you cheering. But by the end of the film, all two hours-plus of it, you will find yourself wanting more. Almost like wanting a whole meal for a snack after a full dinner. But I forgive director Sam Raimi since he is making his first movie in nine years. Only he could cook up a gloriously inventive fight scene fought with literal musical notes. And yet I couldn’t help but feel there’s an ‘anything-goes-ness’ to all of it, similar to his over-the-top campy offerings of the past like the ‘Evil Dead’ films, or ‘Drag Me to Hell’.
But I forgive director Sam Raimi since he is making his first movie in nine years. Only he could cook up a gloriously inventive fight scene fought with literal musical notes.
With all its contradictions, however, ‘Multiverse of Madness’ proves itself a continuation of MCU tradition, that which satisfies long-waiting fans with a strangely satisfying ending, prompts multiple viewings and inspires speculation about the future direction of the franchise. This is more so, after the Illuminati encounter, and at the end of the movie in a mid-credits scene, when a major character in the Dr. Strange comics makes her debut, played by a surprising actress. It was a genuine surprise, really, as much as it was a pleasant one that holds strong promise. So strong that it warrants repeated viewings to take it all in. Nothing strange about that.
‘Doctor Strange in the Multiverse of Madness’ is showing now in cinemas.
Keanu Reeves slays enemies in first ‘John Wick: Chapter 4’ footage
Keanu Reeves is back to crushing skulls and making movie theater owners scream with adoration, as the star closed CinemaCon with a first look at ‘John Wick: Chapter 4’. Appearing during the Lionsgate presentation at the annual exhibition trade show, Reeves was greeted with lusty applause and chants of “You’re the man!” from attendees.
The next installment once again teams Reeves with stuntman-turned-director Chad Stahelski. Lionsgate has high hopes for ‘John Wick: Chapter 4’, considering each chapter in the franchise has outgrossed its predecessor. The original ‘John Wick’ grossed $86 million worldwide in 2014 followed by $171.5 million for ‘John Wick: Chapter ‘ in 2017 and $327 million for ‘John Wick: Chapter 3 – Parabellum’ in 2019.
In the footage screened, Wick is on his perpetual revenge tour — this time taking on a decidedly lone ninja vibe — seen punching a wooden post to the point of his knuckles bleeding as co-star Laurence Fishburne acts as his hype man.
“I want you to find peace, John,” an off-screen voice booms as a montage of Reeves slaying his enemies plays, “but the only path this leads to is death.”
In the heart-pounding final moments of the trailer, Reeves takes on two baddies in the lobby of an art gallery — brutalizing them with nunchucks in a relentless, face-busting, merry-go-round motion.
Joining Reeves in ‘John Wick: Chapter 4’ are Lance Reddick, Rina Sawayama, Donnie Yen, Shamier Anderson, Bill Skarsgård, Hiroyuki Sanada, Scott Adkins and Clancy Brown. Franchise mainstay Ian McShane is back as Winston, the manager of the Continental Hotel. One person not returning to the franchise is Halle Berry, who debuted as Sofia in “Chapter 3.”
“Sofia’s not in the next ‘John Wick’ movie,” Berry told IGN earlier this year, although the character might be getting her own spinoff film. “There could possibly be a Sofia … her own movie. So she might not be in ‘John Wick,’ but she might be doing her own thingy-thingy.”
Stahelski revealed before he started filming ‘John Wick: Chapter 4’ that he was anxious about how to top the insane stunts of “Chapter 3,” which included one action set piece featuring samurais on horseback.
“There’s been a couple days where I’ve decided to do number four and I’ve woken up in a cold sweat going, ‘Horses! How do I beat horses?’ I have no fucking idea to tell you the truth,” Stahelski told Collider. “I have a lot of really cool ideas for the next one that I think are different and shocking and fun and unique. How to do them, I have no fuckin’ idea right now. I’m still figuring it out.”
‘John Wick: Chapter 4’ hits theaters on May 23, 2023.