De La Soul song in ‘Spider-Man: No Way Home’ blows, but fans can’t find it
After featuring prominently on ‘Spider-Man: No Way Home’, De La Soul’s ‘The Magic Number’ has fans scrambling for a better listen. But why isn’t it available on streaming services?
By Justina Terhember
Iconic hip-hop group De La Soul landed a major spot for their 1989 song ‘Three Is a Magic Number’ in the end credits of ‘Spider-Man: No Way Home’, which has racked up over $1.4 billion thus far in ticket sales, a rare massive success in the pandemic film industry. But to the disappointment of many fans, the song is not available on streaming services and will not be anytime soon. This is due to longstanding legal issues that last year made major steps toward being resolved but remain in limbo.
Reservoir Music, which last year acquired the catalog of Tommy Boy Records, the group’s original label, pledged that the music will be “coming to fans” — but in a statement to Variety on Friday, a rep for the company wrote: “Unfortunately, no update on the status of De La Soul coming to streaming. We’re still working through it, but aren’t at a place where we can share anything yet.”
As noted in an article on Okayplayer.com, there has been no shortage of outrage online, particularly on TikTok, about the song’s unavailability (although unofficial versions can be found on YouTube). “My son, a Spider-Man fan has discovered that The Magic Number by De La Soul is not on Spotify,” one wrote. “A whole new generation as disappointed as the rest of us have been about this…”
So what’s the problem? In a word: samples. De La Soul’s galvanizing 1989 debut album, ‘Three Feet High and Rising’, was one of the truly groundbreaking albums in hip-hop history, both in terms of its overall theme and the happy, psychedelic vibe it brought to a genre that had largely been musically and lyrically aggressive and/or self-aggrandizing up to that point. It was certified platinum, reached No. 1 on the Billboard R&B/Hip-Hop chart (and No. 24 on the Billboard 200 albums chart) and is universally recognized as one of the best and most influential albums in hip-hop history.
Yet it was made during the dawn of the sample age, and to their considerable detriment, the group ended up being guinea pigs for the creation of laws around them — not only did the ensuing legal battles rack up untold thousands in lawyer fees and effectively sideline the group’s career, but their music also has never legally been available on streaming services.
When Reservoir acquired the Tommy Boy catalog — including ‘Three Feet High’ and other De La Soul albums — for $100 million last year, they promised to work with the group to “bring the catalog and the music back to the fans”; in August the group said they hoped the music would be posted by November, and their website currently says, “Stay tuned, catalog coming soon.”
It appears there has been movement, legally, since the song would have to be licensed to be used in the film, let alone so prominently. However, reps for the film and the group are yet to comment officially.
Attorney says Jonathan Majors isn’t the villain, video will prove he’s innocent
Jonathan Majors says he is the victim of domestic violence allegations that led to his arrest in New York. The actor’s attorney Priya Chaudhry released a statement on Sunday that the “Creed III” and “Ant-Man and the Wasp: Quantumania” star “is completely innocent and is provably the victim of an altercation with a woman he knows” and expects charges will be dropped.
The New York Police Department confirmed in a statement on Saturday that Majors, 33, was taken into custody after officers received a 911 call from a Manhattan apartment where a 30-year-old woman said she had been assaulted. The woman was taken to the hospital, the statement says.
On Sunday, the Manhattan district attorney’s office said Majors had been arraigned on multiple charges, including assault and aggravated harassment. In the complaint, the woman claimed she was struck with an open hand, causing a laceration behind her ear, and suffered bruising and pain when “the defendant put his hand on her neck.”
Majors’ attorney says she is submitting evidence to the district attorney “with the expectation that all charges will be dropped imminently.”
“This evidence includes video footage from the vehicle where this episode took place, witness testimony from the driver and others who both saw and heard the episode, and most importantly, two written statements from the woman recanting these allegations,” Chaudhry said. “All the evidence proves that Mr. Majors is entirely innocent and did not assault her whatsoever.”
On Saturday, a judge granted a limited order of protection and released Majors on his own recognizance. The next court date is May 8.
Majors’ attorney claims the dispute occurred because the woman “was having an emotional crisis, for which she was taken to a hospital yesterday.”
“The NYPD is required to make an arrest in these situations, and this is the only reason Mr. Majors was arrested,” she said. “We expect these charges to be dropped soon. We look forward to clearing his name and clearing this up,” the statement said.
What led to Jonathan Majors’ arrest, according to police? Officers responded to a call within the 10 Precinct at approximately 11:14 a.m. ET Saturday. “A preliminary investigation determined that a 33-year-old male was involved in a domestic dispute with a 30-year-old female. The victim informed police she was assaulted. Officers placed the 33-year-old male into custody without incident. The victim sustained minor injuries to her head and neck and was removed to an area hospital in stable condition,” the police statement said.
Majors is a rising star in Hollywood, seen two weeks ago on the Oscars stage, presenting best cinematography with Michael B. Jordan. The Yale-educated actor, an Emmy nominee for HBO’s “Lovecraft Country,” recently joined the Marvel Cinematic Universe as Kang the Conqueror and is slated to headline “Avengers: The Kang Dynasty” in 2025. The actor stepped into the ring with Jordan as Damian Anderson in the boxing drama “Creed III,” and starred as real-life Navy aviator Jesse Brown in the Korean War drama “Devotion.”
Next up, he stars as an amateur bodybuilder in “Magazine Dreams” (set for release in December) and plays mercurial basketball icon Dennis Rodman in “48 Hours in Vegas.”
Disney absorbs Marvel Entertainment, sacks Chairman Ike Perlmutter
Per a report on Variety, Disney’s cost-cutting measures have reached to the top echelons of the company: Isaac “Ike” Perlmutter, chairman of Marvel Entertainment, has been laid off, as his division — which is separate from Marvel Studios — is absorbed into other units of Disney.
Along with Perlmutter, Marvel Entertainment’s co-president, Rob Steffens, and chief counsel, John Turitzin, were also dismissed. A Disney spokesperson confirmed the departures.
The 80-year-old Perlmutter was at the center of activist investor Nelson Peltz’s months-long fight to join the Disney board. Variety reported in February that Perlmutter’s backing of Peltz was due at least in part to CEO Bob Iger’s decision to sever Perlmutter’s control of Marvel Studios in 2015, which reduced Marvel Entertainment to not much more than consumer products.
Peltz ended his proxy battle in February after Iger announced his plan to reduce costs by $5.5 billion, which included reducing the workforce by 7,000 employees, as well as the expected return of the dividend payment for shareholders by the end of 2023.
‘John Wick’ spinoff ‘The Ballerina’ to be released in 2024
As ‘John Wick: Chapter 4’ continues to dominate the box office, Lionsgate executive Joe Drake revealed the studio’s target release window for the upcoming spinoff, ‘The Ballerina’. He confirmed that the studio is currently planning to release the Ana de Armas-led action thriller in either the spring or summer of 2024. Production for the first ‘John Wick’ spinoff movie took place in Prague and began last November 2022.
‘The Ballerina’ is directed by Len Wiseman, who previously helmed 2012’s ‘Total Reboot’ and five ‘Underworld’ films. Written by Oscar winner Emerald Fennell, the story is expected to follow a young female assassin as she goes on a mission to seek revenge against the people responsible for the murder of her family. Franchise star Keanu Reeves previously confirmed that the spinoff will be set between the events of ‘John Wick: Chapter 3 – Parabellum’ and its latest 2023 instalment.
The film is inspired by a scene from 2019’s ‘Parabellum’, where fans were introduced to the Ruska Roma syndicate, the organization that trained young boys and girls into becoming lethal assassins. Leading the spinoff is Oscar nominee De Armas who has signed for the role of Rooney. Like former Ruska Roma member John Wick, Rooney went through grueling and rigorous training at an early age, under the supervision of Angelica Huston’s The Director. In addition to Reeves and Huston, Ian McShane and the late Lance Reddick will also appear once again in their respective roles as Winston and Charon.
Besides ‘The Ballerina’, Lionsgate is also currently working on the impending Peacock premiere of its John Wick prequel series, titled ‘The Continental’. The 3-part limited drama will revolve around the origins of The Continental New York’s manager Winston, and loyal concierge Charon, who are respectively portrayed by Colin Woodell and Ayomide Adegun. The series is expected to chronicle how a young Winston Scott manages to establish a safe haven for assassins. In addition to Woodell and Adegun, it will also feature the introduction of Mel Gibson as Cormac and Katie McGrath as The Adjudicator.
As for the future of the main series, director Chad Stahelski recently revealed that he and Reeves are planning to take a hiatus from the blockbuster franchise following the theatrical release of ‘John Wick: Chapter 4’. ‘John Wick: Chapter 4’ is now showing worldwide.