Connect with us
geekafrique

MOVIES

De La Soul song in ‘Spider-Man: No Way Home’ blows, but fans can’t find it

Published

on

After featuring prominently on ‘Spider-Man: No Way Home’, De La Soul’s ‘The Magic Number’ has fans scrambling for a better listen. But why isn’t it available on streaming services?

By Justina Terhember

Iconic hip-hop group De La Soul landed a major spot for their 1989 song ‘Three Is a Magic Number’ in the end credits of ‘Spider-Man: No Way Home’, which has racked up over $1.4 billion thus far in ticket sales, a rare massive success in the pandemic film industry. But to the disappointment of many fans, the song is not available on streaming services and will not be anytime soon. This is due to longstanding legal issues that last year made major steps toward being resolved but remain in limbo.

Reservoir Music, which last year acquired the catalog of Tommy Boy Records, the group’s original label, pledged that the music will be “coming to fans” — but in a statement to Variety on Friday, a rep for the company wrote: “Unfortunately, no update on the status of De La Soul coming to streaming. We’re still working through it, but aren’t at a place where we can share anything yet.”

As noted in an article on Okayplayer.com, there has been no shortage of outrage online, particularly on TikTok, about the song’s unavailability (although unofficial versions can be found on YouTube). “My son, a Spider-Man fan has discovered that The Magic Number by De La Soul is not on Spotify,” one wrote. “A whole new generation as disappointed as the rest of us have been about this…”

So what’s the problem? In a word: samples. De La Soul’s galvanizing 1989 debut album, ‘Three Feet High and Rising’, was one of the truly groundbreaking albums in hip-hop history, both in terms of its overall theme and the happy, psychedelic vibe it brought to a genre that had largely been musically and lyrically aggressive and/or self-aggrandizing up to that point. It was certified platinum, reached No. 1 on the Billboard R&B/Hip-Hop chart (and No. 24 on the Billboard 200 albums chart) and is universally recognized as one of the best and most influential albums in hip-hop history.

Yet it was made during the dawn of the sample age, and to their considerable detriment, the group ended up being guinea pigs for the creation of laws around them — not only did the ensuing legal battles rack up untold thousands in lawyer fees and effectively sideline the group’s career, but their music also has never legally been available on streaming services.

When Reservoir acquired the Tommy Boy catalog — including ‘Three Feet High’ and other De La Soul albums — for $100 million last year, they promised to work with the group to “bring the catalog and the music back to the fans”; in August the group said they hoped the music would be posted by November, and their website currently says, “Stay tuned, catalog coming soon.”

It appears there has been movement, legally, since the song would have to be licensed to be used in the film, let alone so prominently. However, reps for the film and the group are yet to comment officially.

MOVIES

Amber Heard says ‘Aquaman 2’ role got cut, action scenes ‘taken away’

Published

on

Amber Heard claims that Warner Bros. “didn’t want to include me” in the upcoming ‘Aquaman’ sequel due to the fallout of her divorce from Johnny Depp. The actor said during her defamation trial against Depp that she was “actively scheduling timing for filming” the second ‘Aquaman’ movie until Depp’s team called her a liar regarding her abuse claims against Depp. Heard said that “communications” about the sequel “stopped at that point.”

Heard stars as Mera in several comic book films from Warner Bros. and DC Entertainment. She debuted as the character in ‘Justice League’ in what she called “a three-picture option.” The second film was ‘Aquaman’, in which she had a more co-lead role opposite Jason Momoa and for which she earned $1 million. Heard said she earned twice as much for ‘Aquaman 2’, the third film in her contract, but also said that he role in the film was “a very pared-down version.”

“I was given a script and then given new versions of the script that had taken away scenes that had action in it, that depicted my character and another character, without giving any spoilers away, two characters fighting with one another, and they basically took a bunch out of my role,” Heard said. “They just removed a bunch out.”

Reports surfaced earlier this year that Head only appears in about 10 minutes of the sequel, which is officially titled ‘Aquaman and the Lost Kingdom’. James Wan returns to the direct the film after earning solid reviews for 2018’s ‘Aquaman’, which earned over $1 billion worldwide. Joining Momoa and Heard in the sequel are Willem Dafoe, Patrick Wilson, Dolph Lundgren, Yahya Abdul-Mateen II, Temuera Morrison and Nicole Kidman.

‘Aquaman and the Lost Kingdom’ is scheduled to be released on March 17, 2023.

Continue Reading

MOVIES

First trailer for ‘Avatar: The Way of Water’, James Cameron’s long-awaited sequel drops

Published

on

After 13 years and numerous delays, 20th Century Studios has finally released a glimpse into James Cameron’s ‘Avatar 2’, due Dec. 16. This marks the long-awaited sequel to the highest-grossing film of all time. The sequel’s official title is ‘Avatar: The Way of Water’. See video below:

After being re-released last year in China, the first ‘Avatar’ overtook ‘Avengers: Endgame’ as the most lucrative film of all time (according to ticket sales) when its revenue surpassed $2.8 billion globally. Its original run in the United States was unprecedented, with the film thriving in theaters for over 10 months.

The second ‘Avatar’ is set to star many of the original film’s cast members, including Zoe Saldana as Neytiri, Sigourney Weaver in a new role and Sam Worthington as Jake Sully. Joining the cast are Kate Winslet as Ronal, Michelle Yeoh as Dr. Karina Mogue and Oona Chaplin as Varang, among others. The new film picks up where the last left off, with Sully and Neytiri building their family on the planet of Pandora and fighting new threats to its burgeoning civilization.

‘Avatar 2’ is scheduled for release on Dec. 16. Cameron initially said he was aiming for a 2014 release, which was pushed back seven times until its current date later this year. Shooting for the film wrapped back in 2020 in tandem with ‘Avatar 3’, which is set for a 2024 release. Cameron said he combined the filming process for the first two sequels, plus “a little bit of ‘4.’”

“We mixed the schedules for ‘2’ and ‘3’ together, based on the types of scenes and the environments,” Cameron said. “I said, let’s just treat it like it’s a six-hour miniseries and we’re only going to go to Frankfurt once. We’re going to shoot all the scenes from ‘2’ and ‘3’ at the same time. That was more or less the motif.”

Continue Reading

MOVIES

REVIEW: Doctor Strange sequel proves to be a crazy romp in ‘Multiverse of Madness’

Published

on

With hints of horror in its DNA and pure superhero craziness, the return of Benedict Cumberbatch and co. – new characters in tow – is weirdly fun and cumbersome at the same time. But mostly fun, as our reviewer opines.

By Abdukareem Baba Aminu

It’s stating the obvious that ‘Doctor Strange in the Multiverse of Madness’ has a lot resting on its shoulders. After all, it is coming after the highly successful ‘Spider-Man: No Way Home’, the last Marvel movie wherein the titular sorcerer had a major role. That movie, starring Tom Holland and Zendaya, went on to gross well over $1.8 billion, becoming the sixth-highest grossing movie of all time. Set in several universes at once – and regularly ricocheting into deeper and more spiraling dimensions of alternate realities – the plot for Dr. Stephen Strange’s second solo film begins with fully-formed chaos.

It opens with America Chavez and an alternate version of Dr. Stephen Strange fleeing through the space between universes to find the Book of Vishanti to stop a demon chasing them. Strange is killed, and Chavez accidentally creates a portal that sucks them all in. Meanwhile, on our Earth, Strange is at the wedding of his ex-fiancé, where a tentacle monster wreaks havoc chasing Chavez, but Strange saves Chavez and kills the demon with help from Sorcerer Supreme Wong. Chavez explains that the demons are hunting her because she has the power to travel through the Multiverse, and it is at that exact point it becomes clear that this will be a crazy romp of a movie.

There is a lot at stake in the film, and at the same time, there isn’t much, as it’s leaning heavily into the whole Multiverse shtick, which makes long-lasting consequences spare and far between.

Strange finds traces of witchcraft on the demon and alternate-reality Strange’s corpse, and he consults Wanda Maximoff, finding out secrets that send the story spiraling into the dark story it becomes. There is a lot at stake in the film, and at the same time, there isn’t much, as it’s leaning heavily into the whole Multiverse shtick, which makes long-lasting consequences spare and far between. Like when a major character is in danger and you know somehow that the whole alternate reality situation will ensure he or she comes out unscathed. But if that sounds like a complaint, forgive me, it’s not: Because that’s where some of the biggest, sweetest goodies in this film lurk.

After a ton of magical battles pitting sorcery against witchcraft and giving us some really heartfelt performances from a notable Elizabeth Olsen as Wanda, we (and Strange) end up in the courtyard of this reality’s version of the Illuminati, which in the comics is a collective of some of the most powerful and brilliant characters in the Marvel universe. The theatre I watched the movie in exploded in cheers at this point, as member after member of the shadowy super-group was introduced. It goes without saying that some of the surprise appearances are truly jaw-dropping.

This movie is probably the most important one in the Marvel Cinematic Universe (MCU to hardcore fans) since ‘Avengers: Endgame’, continuing the shared continuity’s foray into an exploration of parallel universes. Theoretically, this should make it even more compelling and fun, but I found myself exhausted at the end, even when what’s played out is saying I should be satisfied. Don’t get me wrong: It’s a very engrossing movie, but one which presents the irony of being interesting and at the same time feeling like a walk through 10-inch snowfall. Or mud, depending on where your geographical idioms rest.

(Continued after break/poster)

It’s a very engrossing movie, but one which presents the irony of being interesting and at the same time feeling like a walk through 10-inch snowfall. Or mud, depending on where your geographical idioms rest.

Of course, there will be stellar performances galore, led by the perfectly-cast and always on-point Cumberbatch, Benedict Wong as stoic Sorcerer Supreme Wong, and brilliantly precocious Multiverse-hopping teen America Chavez played by equally brilliant Xochitl Gomez. Elizabeth Olsen, too, shines as she does in all her MCU appearances, giving layers and nuance to the tragically heartbroken (or just broken) character of Wanda Maximoff, whose spiral into all shades of darkness needs to be seen. After all, she’s had enough revving time in the absolutely perfect Disney+ series ‘WandaVision’.

We are, as the movie title posits, treated to a variety of alternate universes, some of which will have you cheering. But by the end of the film, all two hours-plus of it, you will find yourself wanting more. Almost like wanting a whole meal for a snack after a full dinner. But I forgive director Sam Raimi since he is making his first movie in nine years. Only he could cook up a gloriously inventive fight scene fought with literal musical notes. And yet I couldn’t help but feel there’s an ‘anything-goes-ness’ to all of it, similar to his over-the-top campy offerings of the past like the ‘Evil Dead’ films, or ‘Drag Me to Hell’.

But I forgive director Sam Raimi since he is making his first movie in nine years. Only he could cook up a gloriously inventive fight scene fought with literal musical notes.

With all its contradictions, however, ‘Multiverse of Madness’ proves itself a continuation of MCU tradition, that which satisfies long-waiting fans with a strangely satisfying ending, prompts multiple viewings and inspires speculation about the future direction of the franchise. This is more so, after the Illuminati encounter, and at the end of the movie in a mid-credits scene, when a major character in the Dr. Strange comics makes her debut, played by a surprising actress. It was a genuine surprise, really, as much as it was a pleasant one that holds strong promise. So strong that it warrants repeated viewings to take it all in. Nothing strange about that.

‘Doctor Strange in the Multiverse of Madness’ is showing now in cinemas.

Continue Reading

Trending