Henry Cavill confirms that his time as the DCU’s Clark Kent/Superman is over, taking to Instagram to explain his abrupt departure as the Man of Steel. The actor has confirmed that he will not be returning as Clark Kent/Superman for the new DC Universe that is being spearheaded by DC Studios heads James Gunn and Peter Safran, announcing the news in a post shared on his Instagram account. “I have just had a meeting with James Gunn and Peter Safran and it’s sad news, everyone. I will, after all, not be returning as Superman. After being told by the studio to announce my return back in October, prior to their hire, this news isn’t the easiest, but that’s life,” he wrote.
“The changing of the guard is something that happens. I respect that. James and Peter have a universe to build. I wish them and all involved with the new universe the best of luck, and the happiest of fortunes.”
Cavill continued, “For those who have been by my side through the years…..we can mourn for a bit, but then we must remember…. Superman is still around. Everything he stands for still exists, and the examples he sets for us are still there! My turn to wear the cape has passed, but what Superman stands for never will. It’s been a fun ride with you all, onwards and upwards.”
Although Cavill is not part of Gunn and Safran’s initial plans for the DCU, Superman certainly is, with Gunn announcing on Twitter that a new Superman film is in the works. The project will one of the first to be developed under the new leadership and will center on “an earlier part of Superman’s life.” Gunn will reportedly pen the script. No cast or director is attached at this time.
While Cavill’s time as the Big Blue Boy Scout has come to an anti-climatic close, Gunn has hinted that the actor could return to the DCU down the road. “[W]e just had a great meeting with Henry and we’re big fans and we talked about a number of exciting possibilities to work together in the future,” he teased.
Cavill first starred as Clark Kent/Kal-El/Superman in Zack Snyder’s Man of Steel (2013), returning as the character for 2016’s Batman v Superman: Dawn of Justice and 2017’s Justice League. After a lengthy hiatus from the role, Cavill returned as the Man of Steel earlier this year for Black Adam’s mid-credits scene, acting opposite Dwayne Johnson’s titular anti-hero. A sequel to Man of Steel was reported to be in early development at Warner Bros. in October 2022 but has since been scrapped following Gunn and Safran’s hiring.
Actors’ strike ends: The SAG-AFTRA deal, what happened, and what’s next
In July, Hollywood’s actors joined writers on picket lines for the first time in 63 years. After nearly four months, the actors’ strike ended after SAG-AFTRA’s leadership approved a tentative deal with the Alliance of Motion Picture and Television Producers on Nov. 8.
Members of the Screen Actors Guild-American Federation of Television and Radio Artists who work under the union’s film and TV contract with companies that belong to the AMPTP, a group that represents all the major producers in Hollywood. Members of the Writers Guild of America went on strike on May 2 but reached a tentative deal with the AMPTP on Sept. 24.
While the writers came to a tentative agreement with the studios in late September and ratified a deal in October, SAG-AFTRA remained on strike. SAG-AFTRA resumed talks with the studios but the strike dragged on as the two sides negotiated.
The negotiating committee of the performers’ union approved a tentative deal on Nov. 8. It will still need to be ratified by the members. Additionally, the actors who work under SAG-AFTRA’s interactive contract, including those who provide voice work for video games, are considering a second SAG-AFTRA strike.
How did the actors’ strike happen? SAG-AFTRA, a 160,000-member performers union, voted in favor of a strike authorization by 98% before negotiations began with the studios in June. After they couldn’t reach an agreement by the contract expiration on June 30, they extended talks for two weeks until July 12. Then, a federal mediator was brought in before the extension ended with no new contract.
On July 13, the SAG-AFTRA board voted to approve the strike. Actors joined the picket lines July 14. Fran Drescher, president of SAG-AFTRA and former star of “The Nanny,” delivered a fiery speech when the union announced its strike plans.
SAG-AFTRA proposed that a third-party company measure the success of shows and that residual payments be tied to how they perform. AMPTP companies rejected that idea, arguing that many streaming platforms are not yet profitable. Other sticking points were over self-taped auditions, contributions to the union’s health and pension plan and a pay increase.
Artificial intelligence also emerged as a major issue in negotiations.
Some high-profile projects already in production, including “Deadpool 3” with Ryan Reynolds and Hugh Jackman and “Gladiator 2,” starring Paul Mescal, Pedro Pascal and Denzel Washington, have shut down because of the strike.
SAG-AFTRA has granted waivers to some independent films and television shows. The projects allowed to continue filming are not affiliated with the major studios and streaming giants that are members of the AMPTP.
Projects with big names attached, including Mel Gibson, Matthew McConaughey, Anne Hathaway, Paul Rudd and Jenna Ortega, are among those allowed to continue filming.
The work stoppage does not apply to performers who work under other contracts, such as actors who work on commercials, soap operas and talk shows. Broadcasters who are in the union also are not affected. Actors (and writers) cannot attend promotional events.
SAG-AFTRA specifies that actors cannot act, sing, dance, perform stunts, pilot on-camera aircraft, puppeteer or do performance capture and motion capture work in front of the camera. Impacted events include San Diego Comic-Con and the London premiere of “Oppenheimer.”
MJ biopic director ‘blown away’ by Jaafar Jackson’s resemblance to late uncle
Director Antoine Fuqua is teasing ‘Michael’, the Michael Jackson biopic he is set to work on and says he’s “blown” away by the “uncanny” resemblance between the lead star and his real-life uncle, the King of Pop.
Jaafar Jackson, who is the son of Michael’s brother Jermaine Jackson, will play the iconic singer in the Lionsgate biopic.
“It’s uncanny how much he’s like Michael,” Fuqua told EW in a recent interview. “Sounds like him, dances like him, sings. It’s really uncanny. Graham King, who is a fantastic producer, found him, and introduced him to me, and I was blown away.”
Although the film is on hold due to the writers and actors strike, Fuqua said the biopic will retell Michael’s story “as we know it” and would tackle some of the controversies the singer was involved in during his lifetime.
“Just to tell the facts as we know it, about the artist, about the man, about the human being. You know, the good, bad, and the ugly,” Fuqua added.
‘Michael’ will be directed by Fuqua with a script from John Logan. Graham King is set as a producer, who was behind the Freddy Mercury Queen story of Bohemian Rhapsody. GK Films will produce alongside the co-executors of Jackson’s estate, John Branca and John McClain.
#QuickReview: Is ‘Justice League: Warworld’ worth a watch?
One thing longtime fans of DC have come to count on is that while the company spent the last ten years floundering around in a pool of confusion, their animated films rarely, if ever, miss. Justice League Warworld continues to lend credence to this argument, though not in a particularly new, unique, or memorable way.
Here’s the premise: The big three (Superman, Batman, and Wonder Woman) are scattered across time by some phenomenon they do not understand. They have no memories of who they are or how they got there, but they know they have to consistently ‘keep moving’.
Wonder Woman visits a wild western town in which a distinct DC anti-hero rules with an iron fist. Batman is stuck in a prehistoric world, complete with dinosaurs and warlords and warrior women. And then, the big three reunite at the end for what starts as a ‘mystery-in-a-diner’ noir-esque story that sort of explains what’s been happening but does nothing with that revelation.
The big three reunite at the end for what starts as a ‘mystery-in-a-diner’ noir-esque story that sort of explains what’s been happening but does nothing with that revelation.
But there’s a lot to root for in this film: the voice cast is splendid, with Jensen Ackles playing Batman, Darren Criss as Superman, Stana Katic as Wonder Woman, Troy Baker as Jonah Hex, and so on. Somehow Ackles has avoided the Conroy comparisons (probably because he started voicing Batman before Conroy passed) so far, and in a good way.
The art style stays within the confines of the Tomorrowverse comfortably, and the animation looks great and fluid. The action sequences leave quite a bit to be desired, though, with Batman going through the motions and forgetting what makes him such a much-revered hand-to-hand fighter. The heroes also act out of character a number of times, Batman leaving someone who just freed him to die, and Superman being quite thick-headed and missing several obvious clues.
The heroes also act out of character a number of times, Batman leaving someone who just freed him to die, and Superman being quite thick-headed and missing several obvious clues.
Still, the biggest letdown is the fact that the movie ends, but there’s no resolution. It rather spends the climax setting up a sequel, which may be the just-announced Crisis on Infinite Earths. The movie skimps on the emotional satisfaction that comes with a perfectly-landed climax and instead jerks the audience away on the ‘something-bigger-approaches’ segue. It feels as though the ending was changed just before it left the cutting room. Still, ‘Justice League: Warworld’ is worth a watch.