Daniel Kaluuya has co-written a futuristic dystopian drama called ‘The Kitchen’ for Netflix which will be executive produced by Michael Fassbender. Written alongside Joe Murtagh (‘Gangs of London’), it is based on an idea from the ‘Black Panther’ star, Kibwe Tavares, and Daniel Emmerson. It was also selected for the Sundance Screenwriting and Directing Lab in 2016.
Tavares, who was awarded the Sundance Special Jury Award for his animated short ‘Robots of Brixton’, is set to direct the feature, which will shoot on location in London and Paris.
‘The Kitchen’ is set in London, 2044, a future where the gap between rich and poor has been stretched to its limits’, reads the logline. “All forms of social housing have been eradicated and London’s working classes have been forced to live in temporary accommodation on the outskirts of the city, The Kitchen is the first and the largest of its kind, it’s London’s last village harboring residents that refuse to move on and move out of the place they call home. It’s here we meet Izi, a resident of the kitchen who is desperately trying to find a way out, and 12-year-old, Benji, who has lost his mother and is searching for a family. We follow our unlikely pair as they battle to survive in a system that is stacked against them.”
Kane Robinson (‘Top Boy’) will play Izi while newcomer Jedaiah Bannerman is set to play co-lead Benji. Casting director Aisha Bywaters (‘We Are Lady Parts’) has also boarded the project.
The film is set to be released globally on Netflix in 2023.
“In 2011, I was in my barbershop and there was a guy boasting about smash and grabs — kids doing million-pound heists in a minute, getting paid £200 to do it,” said Kaluuya. “I saw the potential to unlock a unique story door to the inequality, fatherhood, class, joy, resilience, courage, defiance, and care of London.”
“Now, nearly a decade later, Kibwe Tavares, Daniel Emmerson and I are about to start production, immersing ourselves in a dystopian London that interrogates what ‘care’ means, at home and as a society, and the dangers in our future if we stay indifferent to everything around us,” he continued. “I feel blessed and honored that my first co-writing film credit is with this inspiring group of creatives, and with the support of Film 4 and Netflix.”
Director Antoine Fuqua is teasing ‘Michael’, the Michael Jackson biopic he is set to work on and says he’s “blown” away by the “uncanny” resemblance between the lead star and his real-life uncle, the King of Pop.
Jaafar Jackson, who is the son of Michael’s brother Jermaine Jackson, will play the iconic singer in the Lionsgate biopic.
“It’s uncanny how much he’s like Michael,” Fuqua told EW in a recent interview. “Sounds like him, dances like him, sings. It’s really uncanny. Graham King, who is a fantastic producer, found him, and introduced him to me, and I was blown away.”
Although the film is on hold due to the writers and actors strike, Fuqua said the biopic will retell Michael’s story “as we know it” and would tackle some of the controversies the singer was involved in during his lifetime.
“Just to tell the facts as we know it, about the artist, about the man, about the human being. You know, the good, bad, and the ugly,” Fuqua added.
‘Michael’ will be directed by Fuqua with a script from John Logan. Graham King is set as a producer, who was behind the Freddy Mercury Queen story of Bohemian Rhapsody. GK Films will produce alongside the co-executors of Jackson’s estate, John Branca and John McClain.
One thing longtime fans of DC have come to count on is that while the company spent the last ten years floundering around in a pool of confusion, their animated films rarely, if ever, miss. Justice League Warworld continues to lend credence to this argument, though not in a particularly new, unique, or memorable way.
Here’s the premise: The big three (Superman, Batman, and Wonder Woman) are scattered across time by some phenomenon they do not understand. They have no memories of who they are or how they got there, but they know they have to consistently ‘keep moving’.
Wonder Woman visits a wild western town in which a distinct DC anti-hero rules with an iron fist. Batman is stuck in a prehistoric world, complete with dinosaurs and warlords and warrior women. And then, the big three reunite at the end for what starts as a ‘mystery-in-a-diner’ noir-esque story that sort of explains what’s been happening but does nothing with that revelation.
The big three reunite at the end for what starts as a ‘mystery-in-a-diner’ noir-esque story that sort of explains what’s been happening but does nothing with that revelation.
But there’s a lot to root for in this film: the voice cast is splendid, with Jensen Ackles playing Batman, Darren Criss as Superman, Stana Katic as Wonder Woman, Troy Baker as Jonah Hex, and so on. Somehow Ackles has avoided the Conroy comparisons (probably because he started voicing Batman before Conroy passed) so far, and in a good way.
The art style stays within the confines of the Tomorrowverse comfortably, and the animation looks great and fluid. The action sequences leave quite a bit to be desired, though, with Batman going through the motions and forgetting what makes him such a much-revered hand-to-hand fighter. The heroes also act out of character a number of times, Batman leaving someone who just freed him to die, and Superman being quite thick-headed and missing several obvious clues.
The heroes also act out of character a number of times, Batman leaving someone who just freed him to die, and Superman being quite thick-headed and missing several obvious clues.
Still, the biggest letdown is the fact that the movie ends, but there’s no resolution. It rather spends the climax setting up a sequel, which may be the just-announced Crisis on Infinite Earths. The movie skimps on the emotional satisfaction that comes with a perfectly-landed climax and instead jerks the audience away on the ‘something-bigger-approaches’ segue. It feels as though the ending was changed just before it left the cutting room. Still, ‘Justice League: Warworld’ is worth a watch.
While hyping his snazzy new sci-fi thriller, ‘They Cloned Tyrone’ (Netflix), John Boyega also dropped some choice nuggets of info, including details of a day during the production of one of the Star Wars films, when he and co-star Harrison Ford ditched security to sample Nigerian cuisine, taking a drive along one of South London’s most famous roads.
Describing a tense day of shoots aboard the Millennium Falcon and strict dieting, Harrison popped by and asked: “Hey, kid. I want to eat something that’s gonna be a little different. If you can take me to a restaurant, that would be great.” The duo left Pinewood Studios, where they were filming ‘The Force Awakens’ and headed to Old Kent Road’s West African-themed restaurant, ‘805’ after Ford shook off his security.
The Indiana Jones legend topped off the Nigerian experience by falling asleep after the meal on the car ride back.
Boyega describes Ford as going beyond the often-introductory jollof rice, and going on to polish off plates of “Amala, Ewedu, pounded yam and Egusi,” described as the food of his forefathers. The Indiana Jones legend topped off the Nigerian experience by falling asleep after the meal on the car ride back. (Editor’s note: It’s probably the pounded yam)
Boyega ended his story by posing a question to the retired Indiana Jones actor: “When’s the Nollywood debut?”
