Per a report on The Hollywood Reporter, members of the Academy of Motion Picture Arts and Sciences will be set to judge Smith’s first dramatic film less than a year after slapping comedian Chris Rock at the 94th Oscar Awards. With Apple announcing the release of Emancipation in December, the news outlet surveyed the Oscar voters to see if the now-notorious star was worthy of another Best Actor nomination. While some anonymous participants were open to considering Smith as a nominee, the majority of them completely shunned the one-time Oscar winner, with quotes ranging from “F—k him. So, no,” to “Would I vote for Will Smith? Right after I vote for Trump.”
One quote from producers branch member Lawrence David Foldes went as far as blacklisting Smith from the film industry. “I was surprised but not surprised learning of the release of Emancipation this year. Surprised because I believe that the industry should shun Smith, not embrace and boost his image,” said Foldes. “Would I vote for Smith? NO F-ING WAY. His shameful violent outburst and pathetic sniveling ‘acceptance’ diatribe witnessed by millions — and his blatant disrespect of the Academy — should preclude him from any consideration and reward from AMPAS members for life.”
Smith’s assault on Rock on the Oscars stage came after the comedian made a joke about his wife Jada Pinkett-Smith’s alopecia. Will Smith went on to receive the Best Actor award for his performance in King Richard and issued a formal apology the following day but the backlash to the incident led to Smith resigning from the Academy of Motion Picture Arts and Sciences.
In the months that followed the slap, Smith’s popularity plummeted and film projects were either put on hold or cancelled. He took to YouTube to respond to fan questions about neglecting to apologize to Rock in his Oscar speech. While he stated that he reached out directly to Rock, Smith said, “the message that came back is that he’s not ready to talk and when he is he will reach out.”
Directed by Antoine Fuqua, ‘Emancipation’ stars Smith as a runaway slave evading hunters in the south as he seeks freedom in the north, eventually joining the Union army. The film is based on the true story of the slave who was the subject of a photo known as The Scourged Back, published in The Independent in May of 1863. The photo was known to be the undisputed truth about the brutality of American slavery.
‘Emancipation’ will premiere in theatres on Dec. 2 and stream on Apple TV on Dec. 9.
Director Antoine Fuqua is teasing ‘Michael’, the Michael Jackson biopic he is set to work on and says he’s “blown” away by the “uncanny” resemblance between the lead star and his real-life uncle, the King of Pop.
Jaafar Jackson, who is the son of Michael’s brother Jermaine Jackson, will play the iconic singer in the Lionsgate biopic.
“It’s uncanny how much he’s like Michael,” Fuqua told EW in a recent interview. “Sounds like him, dances like him, sings. It’s really uncanny. Graham King, who is a fantastic producer, found him, and introduced him to me, and I was blown away.”
Although the film is on hold due to the writers and actors strike, Fuqua said the biopic will retell Michael’s story “as we know it” and would tackle some of the controversies the singer was involved in during his lifetime.
“Just to tell the facts as we know it, about the artist, about the man, about the human being. You know, the good, bad, and the ugly,” Fuqua added.
‘Michael’ will be directed by Fuqua with a script from John Logan. Graham King is set as a producer, who was behind the Freddy Mercury Queen story of Bohemian Rhapsody. GK Films will produce alongside the co-executors of Jackson’s estate, John Branca and John McClain.
One thing longtime fans of DC have come to count on is that while the company spent the last ten years floundering around in a pool of confusion, their animated films rarely, if ever, miss. Justice League Warworld continues to lend credence to this argument, though not in a particularly new, unique, or memorable way.
Here’s the premise: The big three (Superman, Batman, and Wonder Woman) are scattered across time by some phenomenon they do not understand. They have no memories of who they are or how they got there, but they know they have to consistently ‘keep moving’.
Wonder Woman visits a wild western town in which a distinct DC anti-hero rules with an iron fist. Batman is stuck in a prehistoric world, complete with dinosaurs and warlords and warrior women. And then, the big three reunite at the end for what starts as a ‘mystery-in-a-diner’ noir-esque story that sort of explains what’s been happening but does nothing with that revelation.
The big three reunite at the end for what starts as a ‘mystery-in-a-diner’ noir-esque story that sort of explains what’s been happening but does nothing with that revelation.
But there’s a lot to root for in this film: the voice cast is splendid, with Jensen Ackles playing Batman, Darren Criss as Superman, Stana Katic as Wonder Woman, Troy Baker as Jonah Hex, and so on. Somehow Ackles has avoided the Conroy comparisons (probably because he started voicing Batman before Conroy passed) so far, and in a good way.
The art style stays within the confines of the Tomorrowverse comfortably, and the animation looks great and fluid. The action sequences leave quite a bit to be desired, though, with Batman going through the motions and forgetting what makes him such a much-revered hand-to-hand fighter. The heroes also act out of character a number of times, Batman leaving someone who just freed him to die, and Superman being quite thick-headed and missing several obvious clues.
The heroes also act out of character a number of times, Batman leaving someone who just freed him to die, and Superman being quite thick-headed and missing several obvious clues.
Still, the biggest letdown is the fact that the movie ends, but there’s no resolution. It rather spends the climax setting up a sequel, which may be the just-announced Crisis on Infinite Earths. The movie skimps on the emotional satisfaction that comes with a perfectly-landed climax and instead jerks the audience away on the ‘something-bigger-approaches’ segue. It feels as though the ending was changed just before it left the cutting room. Still, ‘Justice League: Warworld’ is worth a watch.
While hyping his snazzy new sci-fi thriller, ‘They Cloned Tyrone’ (Netflix), John Boyega also dropped some choice nuggets of info, including details of a day during the production of one of the Star Wars films, when he and co-star Harrison Ford ditched security to sample Nigerian cuisine, taking a drive along one of South London’s most famous roads.
Describing a tense day of shoots aboard the Millennium Falcon and strict dieting, Harrison popped by and asked: “Hey, kid. I want to eat something that’s gonna be a little different. If you can take me to a restaurant, that would be great.” The duo left Pinewood Studios, where they were filming ‘The Force Awakens’ and headed to Old Kent Road’s West African-themed restaurant, ‘805’ after Ford shook off his security.
The Indiana Jones legend topped off the Nigerian experience by falling asleep after the meal on the car ride back.
Boyega describes Ford as going beyond the often-introductory jollof rice, and going on to polish off plates of “Amala, Ewedu, pounded yam and Egusi,” described as the food of his forefathers. The Indiana Jones legend topped off the Nigerian experience by falling asleep after the meal on the car ride back. (Editor’s note: It’s probably the pounded yam)
Boyega ended his story by posing a question to the retired Indiana Jones actor: “When’s the Nollywood debut?”
