The Oscar winner posted a new video message — one of his first public statements since the Oscars — to his Instagram on Friday.
By Justina Terhember
Will Smith says “there is no part of me that thinks that was the right way to behave in that moment” when explaining his decision to slap Chris Rock during the March 2022 Oscars ceremony. In a new Instagram video (below), the King Richard star answers a series of questions about that night, offering up yet another apology to Rock while also discussing the impact it had on Rock’s family; whether he was responding to his wife, Jada Pinkett Smith’s eye roll when he took the stage; the effects his actions had on the night’s other nominees and winners; and more.
“I was fogged out by that point,” Smith says, explaining why it took so long to offer Rock an apology. “It’s all fuzzy. I’ve reached out to Chris, and the message that came back is that he’s not ready to talk. And when he is, he will reach out.”
Smith goes on to address Rock directly, saying he’s “here whenever you’re ready to talk,” before offering up an apology to Rock’s mother and brother Tony Rock.
“That was one of the things about that moment I just didn’t realize,” Smith reflects. “I wasn’t thinking about how many people got hurt in that moment. So, I want to apologize to Chris’ mother. I want to apologize to Chris’ family — specifically, Tony Rock. We had a great relationship. You know, Tony Rock was my man, and this is probably irreparable.”
Smith also answered a question about whether his reaction was in response to his wife’s eye roll following Rock’s joke about her baldness, which many noted may have been a sensitive topic due to her alopecia. “I made a choice on my own, from my own experiences, from my history with Chris. Jada had nothing to do [with it],” Smith said, before acknowledging the “heat” his wife and kids have taken.
Toward the end of the video, Smith acknowledges how his actions impacted his fellow nominees. “It really breaks my heart to have stolen and tarnished your moment,” Smith says, addressing Questlove, who took the Oscars stage right after the incident to accept the award for best feature documentary for his project Summer of Soul. “Sorry isn’t really sufficient.”
This is the third apology in some form that Smith has offered up since the Oscars 2022 incident, in which the best actor winner took to the Dolby Theatre stage and slapped comedian Rock after he made an unscripted G.I. Jane joke about Pinkett Smith’s baldness while presenting the award for best documentary feature.
Since then, Smith announced he was resigning from the Academy and has been banned from appearing at Academy events for 10 years. He is still, however, eligible for future Oscar nominations and wins, and will retain the Oscar that he won during the 2022 ceremony.
Several of Smith’s upcoming projects are seemingly in limbo. Fast and Loose, which centers on a crime boss who loses his memory, had previously lost its director ahead of the Oscars incident, but according to sources, was quietly put on the back burner by Netflix. Sony’s Bad Boys 4, also in active development during the Oscars season, was also paused.
Director Antoine Fuqua is teasing ‘Michael’, the Michael Jackson biopic he is set to work on and says he’s “blown” away by the “uncanny” resemblance between the lead star and his real-life uncle, the King of Pop.
Jaafar Jackson, who is the son of Michael’s brother Jermaine Jackson, will play the iconic singer in the Lionsgate biopic.
“It’s uncanny how much he’s like Michael,” Fuqua told EW in a recent interview. “Sounds like him, dances like him, sings. It’s really uncanny. Graham King, who is a fantastic producer, found him, and introduced him to me, and I was blown away.”
Although the film is on hold due to the writers and actors strike, Fuqua said the biopic will retell Michael’s story “as we know it” and would tackle some of the controversies the singer was involved in during his lifetime.
“Just to tell the facts as we know it, about the artist, about the man, about the human being. You know, the good, bad, and the ugly,” Fuqua added.
‘Michael’ will be directed by Fuqua with a script from John Logan. Graham King is set as a producer, who was behind the Freddy Mercury Queen story of Bohemian Rhapsody. GK Films will produce alongside the co-executors of Jackson’s estate, John Branca and John McClain.
One thing longtime fans of DC have come to count on is that while the company spent the last ten years floundering around in a pool of confusion, their animated films rarely, if ever, miss. Justice League Warworld continues to lend credence to this argument, though not in a particularly new, unique, or memorable way.
Here’s the premise: The big three (Superman, Batman, and Wonder Woman) are scattered across time by some phenomenon they do not understand. They have no memories of who they are or how they got there, but they know they have to consistently ‘keep moving’.
Wonder Woman visits a wild western town in which a distinct DC anti-hero rules with an iron fist. Batman is stuck in a prehistoric world, complete with dinosaurs and warlords and warrior women. And then, the big three reunite at the end for what starts as a ‘mystery-in-a-diner’ noir-esque story that sort of explains what’s been happening but does nothing with that revelation.
The big three reunite at the end for what starts as a ‘mystery-in-a-diner’ noir-esque story that sort of explains what’s been happening but does nothing with that revelation.
But there’s a lot to root for in this film: the voice cast is splendid, with Jensen Ackles playing Batman, Darren Criss as Superman, Stana Katic as Wonder Woman, Troy Baker as Jonah Hex, and so on. Somehow Ackles has avoided the Conroy comparisons (probably because he started voicing Batman before Conroy passed) so far, and in a good way.
The art style stays within the confines of the Tomorrowverse comfortably, and the animation looks great and fluid. The action sequences leave quite a bit to be desired, though, with Batman going through the motions and forgetting what makes him such a much-revered hand-to-hand fighter. The heroes also act out of character a number of times, Batman leaving someone who just freed him to die, and Superman being quite thick-headed and missing several obvious clues.
The heroes also act out of character a number of times, Batman leaving someone who just freed him to die, and Superman being quite thick-headed and missing several obvious clues.
Still, the biggest letdown is the fact that the movie ends, but there’s no resolution. It rather spends the climax setting up a sequel, which may be the just-announced Crisis on Infinite Earths. The movie skimps on the emotional satisfaction that comes with a perfectly-landed climax and instead jerks the audience away on the ‘something-bigger-approaches’ segue. It feels as though the ending was changed just before it left the cutting room. Still, ‘Justice League: Warworld’ is worth a watch.
While hyping his snazzy new sci-fi thriller, ‘They Cloned Tyrone’ (Netflix), John Boyega also dropped some choice nuggets of info, including details of a day during the production of one of the Star Wars films, when he and co-star Harrison Ford ditched security to sample Nigerian cuisine, taking a drive along one of South London’s most famous roads.
Describing a tense day of shoots aboard the Millennium Falcon and strict dieting, Harrison popped by and asked: “Hey, kid. I want to eat something that’s gonna be a little different. If you can take me to a restaurant, that would be great.” The duo left Pinewood Studios, where they were filming ‘The Force Awakens’ and headed to Old Kent Road’s West African-themed restaurant, ‘805’ after Ford shook off his security.
The Indiana Jones legend topped off the Nigerian experience by falling asleep after the meal on the car ride back.
Boyega describes Ford as going beyond the often-introductory jollof rice, and going on to polish off plates of “Amala, Ewedu, pounded yam and Egusi,” described as the food of his forefathers. The Indiana Jones legend topped off the Nigerian experience by falling asleep after the meal on the car ride back. (Editor’s note: It’s probably the pounded yam)
Boyega ended his story by posing a question to the retired Indiana Jones actor: “When’s the Nollywood debut?”
