Will Smith, facing possible expulsion or suspension after he assaulted Chris Rock during last Sunday’s Oscars telecast, has instead resigned from the Academy of Motion Picture Arts & Sciences. The move comes as the actor is embroiled in the gravest crisis of his career and as the organization behind the Academy Awards has struggled in its attempts to deal with the fallout from the altercation. In a statement, Smith called his actions “shocking, painful and inexcusable” and said that he will accept any additional consequences that the Academy’s Board of Governors deems appropriate.
“The list of those I have hurt is long and includes Chris, his family, many of my dear friends and loved ones, all those in attendance, and global audiences at home,” Smith said. “I betrayed the trust of the Academy. I deprived other nominees and winners of their opportunity to celebrate and be celebrated for their extraordinary work. I am heartbroken.”
Smith also acknowledged that his actions overshadowed other winners at the 94th Academy Awards. “I want to put the focus back on those who deserve attention for their achievements and allow the Academy to get back to the incredible work it does to support creativity and artistry in film,” he stated, concluding with “change takes time and I am committed to doing the work to ensure that I never again allow violence to overtake reason.”
Academy president David Rubin replied to his resignation, saying in a statement, “We have received and accepted Mr. Will Smith’s immediate resignation from the Academy of Motion Picture Arts and Sciences. We will continue to move forward with our disciplinary proceedings against Mr. Smith for violations of the Academy’s Standards of Conduct, in advance of our next scheduled board meeting on April 18.”
During the ceremony, Smith charged the stage and struck Rock during the broadcast after Rock made a joke about the actor’s wife, Jada Pinkett Smith, likening her shaved head to the buzzcut sported by Demi Moore in “G.I. Jane.” Pinkett Smith suffers from hair loss due to alopecia.
The Academy later said it asked Smith to leave the ceremony and he refused. However, sources tell Variety that the organization’s leaders never formally requested he be ejected and producer Will Packer urged him to stay. During an appearance on GMA on Friday, Packer said that he said Smith should stay at the request of Rock — something Rock’s camp has denied.
It’s a very tangled narrative about what exactly went down behind the scenes. What is certain is that Smith ended up remaining at the Dolby Theatre, where he went on to win best actor for his performance in “King Richard.” In an emotional speech, Smith seemed to try to justify his actions by saying that his outburst was the result of the same protective instincts that led his character in the film, Richard Williams, to push his daughters, Venus and Serena Williams, to succeed in the world of tennis. His speech, initial failure to apologize to Rock and his decision to attend the Vanity Fair party following the awards did not sit well with some members of the Academy.
On Monday, Smith finally apologized to Rock, saying, “I was out of line and I was wrong.” He added that he reacted emotionally because “a joke about Jada’s medical condition was too much for me to bear.”
After initially offering up a statement that said it did not condone violence, the Academy followed up with two subsequent statements that more forcefully criticized Smith. On Wednesday, the group said Smith had violated the Academy’s standards of conduct and that he had 15 days to provide a written response explaining his actions. The organization said Smith faced suspension, expulsion or other sanctions.
MJ biopic director ‘blown away’ by Jaafar Jackson’s resemblance to late uncle
Director Antoine Fuqua is teasing ‘Michael’, the Michael Jackson biopic he is set to work on and says he’s “blown” away by the “uncanny” resemblance between the lead star and his real-life uncle, the King of Pop.
Jaafar Jackson, who is the son of Michael’s brother Jermaine Jackson, will play the iconic singer in the Lionsgate biopic.
“It’s uncanny how much he’s like Michael,” Fuqua told EW in a recent interview. “Sounds like him, dances like him, sings. It’s really uncanny. Graham King, who is a fantastic producer, found him, and introduced him to me, and I was blown away.”
Although the film is on hold due to the writers and actors strike, Fuqua said the biopic will retell Michael’s story “as we know it” and would tackle some of the controversies the singer was involved in during his lifetime.
“Just to tell the facts as we know it, about the artist, about the man, about the human being. You know, the good, bad, and the ugly,” Fuqua added.
‘Michael’ will be directed by Fuqua with a script from John Logan. Graham King is set as a producer, who was behind the Freddy Mercury Queen story of Bohemian Rhapsody. GK Films will produce alongside the co-executors of Jackson’s estate, John Branca and John McClain.
#QuickReview: Is ‘Justice League: Warworld’ worth a watch?
One thing longtime fans of DC have come to count on is that while the company spent the last ten years floundering around in a pool of confusion, their animated films rarely, if ever, miss. Justice League Warworld continues to lend credence to this argument, though not in a particularly new, unique, or memorable way.
Here’s the premise: The big three (Superman, Batman, and Wonder Woman) are scattered across time by some phenomenon they do not understand. They have no memories of who they are or how they got there, but they know they have to consistently ‘keep moving’.
Wonder Woman visits a wild western town in which a distinct DC anti-hero rules with an iron fist. Batman is stuck in a prehistoric world, complete with dinosaurs and warlords and warrior women. And then, the big three reunite at the end for what starts as a ‘mystery-in-a-diner’ noir-esque story that sort of explains what’s been happening but does nothing with that revelation.
The big three reunite at the end for what starts as a ‘mystery-in-a-diner’ noir-esque story that sort of explains what’s been happening but does nothing with that revelation.
But there’s a lot to root for in this film: the voice cast is splendid, with Jensen Ackles playing Batman, Darren Criss as Superman, Stana Katic as Wonder Woman, Troy Baker as Jonah Hex, and so on. Somehow Ackles has avoided the Conroy comparisons (probably because he started voicing Batman before Conroy passed) so far, and in a good way.
The art style stays within the confines of the Tomorrowverse comfortably, and the animation looks great and fluid. The action sequences leave quite a bit to be desired, though, with Batman going through the motions and forgetting what makes him such a much-revered hand-to-hand fighter. The heroes also act out of character a number of times, Batman leaving someone who just freed him to die, and Superman being quite thick-headed and missing several obvious clues.
The heroes also act out of character a number of times, Batman leaving someone who just freed him to die, and Superman being quite thick-headed and missing several obvious clues.
Still, the biggest letdown is the fact that the movie ends, but there’s no resolution. It rather spends the climax setting up a sequel, which may be the just-announced Crisis on Infinite Earths. The movie skimps on the emotional satisfaction that comes with a perfectly-landed climax and instead jerks the audience away on the ‘something-bigger-approaches’ segue. It feels as though the ending was changed just before it left the cutting room. Still, ‘Justice League: Warworld’ is worth a watch.
How John Boyega introduced Harrison Ford to Nigerian food
While hyping his snazzy new sci-fi thriller, ‘They Cloned Tyrone’ (Netflix), John Boyega also dropped some choice nuggets of info, including details of a day during the production of one of the Star Wars films, when he and co-star Harrison Ford ditched security to sample Nigerian cuisine, taking a drive along one of South London’s most famous roads.
Describing a tense day of shoots aboard the Millennium Falcon and strict dieting, Harrison popped by and asked: “Hey, kid. I want to eat something that’s gonna be a little different. If you can take me to a restaurant, that would be great.” The duo left Pinewood Studios, where they were filming ‘The Force Awakens’ and headed to Old Kent Road’s West African-themed restaurant, ‘805’ after Ford shook off his security.
The Indiana Jones legend topped off the Nigerian experience by falling asleep after the meal on the car ride back.
Boyega describes Ford as going beyond the often-introductory jollof rice, and going on to polish off plates of “Amala, Ewedu, pounded yam and Egusi,” described as the food of his forefathers. The Indiana Jones legend topped off the Nigerian experience by falling asleep after the meal on the car ride back. (Editor’s note: It’s probably the pounded yam)
Boyega ended his story by posing a question to the retired Indiana Jones actor: “When’s the Nollywood debut?”